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interesting fragment of regal domestic life.--ED.] Their more curious project was the reform of the style of conversation, to purify its grossness, and invent novel terms for familiar objects. Menage drew up a "Petition of the Dictionaries," which, by their severity of taste, had nearly become superannuated. They succeeded better with the _marchandes des modes_ and the jewellers, furnishing a vocabulary excessively _precieuse_, by which people bought their old wares with new names. At length they were so successful in their neology, that with great difficulty they understood one another. It is, however, worth observation, that the orthography invented by the _precieuses_--who, for their convenience, rejected all the redundant letters in words--was adopted, and is now used; and their pride of exclusiveness in society introduced the singular term _s'encanailler,_ to describe a person who haunted low company, while their morbid purity had ever on their lips the word _obscenite_, terms which Moliere ridicules, but whose expressiveness has preserved them in the language. Ridiculous as some of these extravagances now appear to us, they had been so closely interwoven with the elegance of the higher ranks, and so intimately associated with genius and literature, that the veil of fashion consecrated almost the mystical society, since we find among its admirers the most illustrious names of France. Into this elevated and artificial circle of society our youthful and unsophisticated poet was now thrown, with a mind not vitiated by any prepossessions of false taste, studious of nature and alive to the ridiculous. But how was the comic genius to strike at the follies of his illustrious friends--to strike, but not to wound? A provincial poet and actor to enter hostilely into the sacred precincts of these Exclusives? Tormented by his genius Moliere produced _Les Precieuses Ridicules_, but admirably parried, in his preface, any application to them, by averring that it was aimed at their imitators--their spurious mimics in the country. The _Precieuses Ridicules_ was acted in the presence of the assembled Hotel de Rambouillet with immense applause. A central voice from the pit, anticipating the host of enemies and the fame of the reformer of comedy, exclaimed, "Take courage, Moliere, this is true comedy." The learned Menage was the only member of the society who had the good sense to detect the drift; he perceived the snake in the g
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