e. This excitement
is experienced when the poet in the excellence of invention, and the
philosopher in the force of intellect, alike share in the hours of
inspiration and the ENTHUSIASM of genius.
CHAPTER XII.
The enthusiasm of genius.--A state of mind resembling a waking dream
distinct from reverie.--The ideal presence distinguished from the real
presence.--The senses are really affected in the ideal world, proved by a
variety of instances.--Of the rapture or sensation of deep study in art,
in science, and literature.--Of perturbed feelings in delirium.--In
extreme endurance of attention.--And in visionary illusions.--Enthusiasts
in literature and art--of their self-immolations.
We left the man of genius in the stillness of meditation. We have now
to pursue his history through that more excited state which occurs in
the most active operations of genius, and which the term _reverie_
inadequately indicates. Metaphysical distinctions but ill describe it, and
popular language affords no terms for those faculties and feelings which
escape the observation of the multitude not affected by the phenomenon.
The illusion produced by a drama on persons of great sensibility, when all
the senses are awakened by a mixture of reality with imagination, is the
effect experienced by men of genius in their own vivified ideal world.
Real emotions are raised by fiction. In a scene, apparently passing in
their presence, where the whole train of circumstances succeeds in all the
continuity of nature, and where a sort of real existences appear to rise
up before them, they themselves become spectators or actors. Their
sympathies are excited, and the exterior organs of sense are visibly
affected--they even break out into speech, and often accompany their
speech with gestures.
In this equivocal state the enthusiast of genius produces his
masterpieces. This waking dream is distinct from reverie, where, our
thoughts wandering without connexion, the faint impressions are so
evanescent as to occur without even being recollected. A day of _reverie_
is beautifully painted by ROUSSEAU as distinct from a day of _thinking_:
"J'ai des journees delicieuses, errant sans souci, sans projet, sans
affaire, de bois en bois, et de rocher en rocher, _revant toujours et ne
pensant point."_ Far different, however, is one closely-pursued act of
meditation, carrying the enthusiast of genius beyond the precinct of
actual existence. The act of contem
|