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pinch he found them, taking pleasure in parading in his coupe, around the lake or at the races, some recruit in vice, and in watching the crowd that at once eagerly surrounded her, simply because she had been the mistress of the fat Molina. He had in his youth at Marseilles, in the Jewish quarter of the town, sold old clothes to the Piedmontese and sailors in port. Now it was his delight to behold the Parisians of the Boulevard or the clubs buy as sentimental rags the cast-off garments of his passion. "You in the greenroom of the ballet, your Excellency?" continued the financier. "Ah! upon my word, I shall tell Madame Vaudrey." Sulpice smiled, the mere name of his wife sounded strange to his ears in a place like this. It seemed to him that in speaking of her, she was being dragged into a strange circle, and one which did not belong to her. He had felt the same only a few days before upon his entrance into the cabinet, on seeing a report of his marriage, his dwelling minutely described, and a pen portrait of that Adrienne, who was the passion of his life. "After all," continued Molina, "Madame Vaudrey must get used to it. The Opera! Why, it is a part of politics! The key of many a situation is to be found in the greenroom!" The financier laughed merrily, a laugh that had the ring of the Turcarets' jingling crowns. He went on to explain to his Excellency all the little mysteries of the greenroom, as a man quite at home in this little Parisian province, and lightly, by a word, a gesture even, he gave the minister a rapid biography of the young girls who were laughing, jesting, romping there before them; flitting hither and thither lightly across the boards, barely touching them with the tips of their pink satin-shod feet. Sulpice was surprised at everything he saw. He did not even take the pains to conceal his surprise. Evidently it was his first visit behind the scenes. "Ah! your Excellency," said Molina, delighted with his role of cicerone, "it is necessary to be at home here! You should come here often! Nothing in the world can be more amusing. Here behind the scenes is a world by itself. One can see pretty little lasses springing up like asparagus. One sees running hither and thither a tall, thin child who nods to you saucily and crunches nuts like a squirrel. One takes a three months' journey, and passes a season at Vichy or at Dieppe, and when one returns, presto! see the transformation. The butterfly
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