Advanced Criticism.]

This may be said for most of them, but on occasion it is hard to believe
that all the German critics are wholly and exclusively truth-loving and
candid. So extreme are the positions of some, so evidently tinctured
with overreadiness for criticism and unbelief, that they must be
excluded from the "most" above described.

I speak of the Germans because they, chiefly, are those capable and
active in original research. Most of our American "advanced critics" are
merely translators and adapters of German work. Their volumes add
nothing to the controversy to those who know the German originals. Not a
few Americans have obtained reputation by the expansion of the note
books they made at the feet of German professors.

[Sidenote: The English Disciples of the German School.]

[Sidenote: Love of Novelty.]

This also is largely true of the English critics. Many of them are well
furnished for Greek criticism. The number of Greek Englishmen is still
very large. But these seem also to fortify, at least, their own
conclusions by the opinions of the original German investigators. It is
hard to believe that, in the contests for German professorial position,
as well as in the justification of the incumbent when the position is
gained, the desire to attract attention by some critical novelty of
method or result has not been in some cases, at least, as influential as
a simple love of truth.

[Sidenote: Some Questions as to Style.]

There is always the question also, which I profess seems to be one not
easy of answer, whether the literary judgments as to style when men are
dealing with another language than their own, and especially with Greek
and Hebrew, can be as worthy of acceptance as their authors and many
others hold them to be; whether, in short, their opinions may not, like
those of experts in handwriting, come to be so colored by their
personality, or their interests, as to be of little evidential value.
On this point it seems to me that not enough allowance has been made by
these critics for the difference in style when men write familiarly or
didactically, or when they are engaged in narration or exhortation.

[Sidenote: Foundation of Belief Unsettled.]

Whatever may be the truth as to these matters, the present state of
faith is due to the unsettlement of the foundation of belief by
scientific and critical scholarship.

[Sidenote: A New Foundation to Emerge.]

This unsettlement, admitted on eve