e and to stir the
depths of the human mind.

But the richest source of the unique satisfaction in the photoplay is
probably that esthetic feeling which is significant for the new art and
which we have understood from its psychological conditions. _The massive
outer world has lost its weight, it has been freed from space, time, and
causality, and it has been clothed in the forms of our own
consciousness. The mind has triumphed over matter and the pictures roll
on with the ease of musical tones. It is a superb enjoyment which no
other art can furnish us._ No wonder that temples for the new goddess
are built in every little hamlet.

The intensity with which the plays take hold of the audience cannot
remain without strong social effects. It has even been reported that
sensory hallucinations and illusions have crept in; neurasthenic persons
are especially inclined to experience touch or temperature or smell or
sound impressions from what they see on the screen. The associations
become as vivid as realities, because the mind is so completely given up
to the moving pictures. The applause into which the audiences,
especially of rural communities, break out at a happy turn of the
melodramatic pictures is another symptom of the strange fascination. But
it is evident that such a penetrating influence must be fraught with
dangers. The more vividly the impressions force themselves on the mind,
the more easily must they become starting points for imitation and other
motor responses. The sight of crime and of vice may force itself on the
consciousness with disastrous results. The normal resistance breaks down
and the moral balance, which would have been kept under the habitual
stimuli of the narrow routine life, may be lost under the pressure of
the realistic suggestions. At the same time the subtle sensitiveness of
the young mind may suffer from the rude contrasts between the farces and
the passionate romances which follow with benumbing speed in the
darkened house. The possibilities of psychical infection and destruction
cannot be overlooked.

Those may have been exceptional cases only when grave crimes have been
traced directly back to the impulses from unwholesome photoplays, but no
psychologist can determine exactly how much the general spirit of
righteousness, of honesty, of sexual cleanliness and modesty, may be
weakened by the unbridled influence of plays of low moral standard. All
countries seem to have been awakened to th