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d. I think the head gardener of the Jardin Botanique who had charge of the Tropical houses cribbed from the collections some of the most magnificent blooms, and presented them to Vivie on the morning of her marriage; and that afterwards she laid the bouquet on her mother's newly finished tomb in the cemetery of St. Josse-ten-Noode, where, the weather being singularly mild for the time of year, the flowers lasted fresh and blooming for several days. I am sure she and Michael then crossed the road and passed on to the building of the Tir National; entered it and stood for a moment in the verandah from which Vivie had seen Bertie Adams executed; and passed on over the tussocky grass to the graves of Bertie Adams and Edith Cavell, where they did silent homage to the dead. I believe a few days afterwards they visited the Senate where the victims of von Bissing's "Terror" had been tried, browbeaten, insulted, mocked. And the functionary who showed them over this superb national palace is certain to have included in his exposition the once splendid carpets which the German officers prior to their evacuation of the Senate--all but the legislative chamber of which was used as a barracks for rough soldiery--had sprayed and barred, streaked and splodged with printing ink. He would also have pointed out the three-hundred-year-old tapestries they had ripped from the walls and the historical portraits they had slashed, and would again have emphasized the fact that in all these senseless devastations the officers were far worse than the men. Also I am certain that Michael and Vivie made a pilgrimage to the prison of Saint-Gilles, and stood silently in the cell where Bertie Adams and Vivie had spent those terrible days of suspense and despair between April 6 and April 8, 1917; and that when they entered that other compartment of the prison where Edith Cavell had passed her last days before her execution, they listened with sympathetic reverence to the recital by the Directeur of verses from "l'Hymne d'Edith Cavell"--as it is now called--no other than the sad old poem of human sorrow, _Abide with me_; and that they appreciated to the full the warmth of Belgian feeling which has turned the cell of Edith Cavell into a Chapelle Ardente in perpetuity. I think they returned to England in January, 1919, so that Michael might get back quickly to his work of mending the maimed, now transferred to English hospitals; and so that Vivie--alw
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