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adherents. In the later books he discusses the military and the lawyers; and thus he is the voice of one crying, like the Baptist in the wilderness, against existing abuses and for the advent of a better order. The _Confessio Amantis_, now principally known because it contains a eulogium of Chaucer, which in his later editions he left out, is in English verse, and was composed at the instance of Richard II. The general argument of this Lover's Confession is a dialogue between the lover and a priest of Venus, who, in the guise of a confessor, applies the breviary of the Church to the confessions of love.[21] The poem is interspersed with introductory or recapitulatory Latin verses. CHAUCER AND GOWER.--That there was for a time a mutual admiration between Chaucer and Gower, is shown by their allusion to each other. In the penultimate stanza of the Troilus and Creseide, Chaucer calls him "O Morall Gower," an epithet repeated by Dunbar, Hawes, and other writers; while in the _Confessio Amantis_, Gower speaks of Chaucer as his disciple and poet, and alludes to his poems with great praise. That they were at any time alienated from each other has been asserted, but the best commentators agree in thinking without sufficient grounds. The historical teachings of Gower are easy to find. He states truths without parable. His moral satires are aimed at the Church corruptions of the day, and yet are conservative; and are taken, says Berthelet, in his dedication of the Confessio to Henry VIII., not only out of "poets, orators, historic writers, and philosophers, but out of the Holy Scripture"--the same Scripture so eloquently expounded by Chaucer, and translated by Wiclif. Again, Gower, with an eye to the present rather than to future fame, wrote in three languages--a tribute to the Church in his Latin, to the court in his French, and to the progressive spirit of the age in his English. The latter alone is now read, and is the basis of his fame. Besides three poems, he left, among his manuscripts, fifty French sonnets, (cinquantes balades,) which were afterward printed by his descendant, Lord Gower, Duke of Sutherland. GOWER'S LANGUAGE.--Like Chaucer, Gower was a reformer in language, and was accused by the "severer etymologists of having corrupted the purity of the English by affecting to introduce so many foreign words and phrases;" but he has the tribute of Sir Philip Sidney (no mean praise) that Chaucer and himself were th
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