s none of the walls are so thin as
these stones, although I at first thought it might belong to one of
the semi-circular _exedrae_. The curve is struck with a shorter radius
than even the smallest recess. I think it is the capping of the back
of one of the semi-circular stone seats, called by the later Romans
a _stibadium_. If this formed the seat in the north-western recess,
there would be ample room behind it (3ft. 9in.) to pass by. The next
fragment must have been fixed beneath this or a similar capping, and
is also carved on each side; the convex side having an adaptation of
the well-known honeysuckle fairly drawn, whilst the convex side of it,
with the exception of a floriated panelled pilaster in the centre, is
the work of an accomplished sculptor. On the right of this pilaster,
slightly recessed to admit of relief, is the naked right thigh and
leg of a figure that must have stood 1ft. 6in. high. Although only
a fragment, this is a most charming piece of work, the action and
anatomy of the limb being perfect. On the left side is a similar
panel, a headless draped figure, with feet bare, holding a circular
shield which rests on the thigh, whilst the limb is bent as if
ascending a rock that is slightly indicated. On the third fragment the
honeysuckle pattern is on the concave side, whilst the sculpture is
on the convex, the arc of which corresponds with the last described.
On this there are two niches only, and the figures are much more
mutilated. The left figure has a flowing mantle, the only leg
remaining being bare from the thigh downwards; the foot and the head
are gone. The figure on the right is fully draped, the head is lost,
and the right hand much mutilated; a musical instrument, like a
guitar,[24] or rather a mandolin, rests against the left breast, held
in position by the left hand. The fourth fragment has the honeysuckle
on both sides, with the flower well carved on one of them. It is a
great pity that so little of this superb work is left, and that what
there is should be so mutilated.[25]

[Footnote 24: Professor Middleton considers this a cornucopia.]

[Footnote 25: A small drawing of these pieces I shall also on a future
occasion communicate.]

This account of the Great Bath will, I hope, be sufficiently complete
if I describe the entrances and conclude with a few particulars of the
pavement (although many discoveries of considerable interest might be
made, I have no doubt, in the latter), omittin