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; grain in sheaf and threshed; peanuts shelled and unshelled, to the extent of 5,000 pounds; wine, pickles, vegetables, cowpeas, transparencies illustrating agricultural scenes, cotton in bales, etc., tobacco in leaf and manufactured products. A pavilion erected in the Agricultural Building was of Moorish architecture, consisting of one central and eight subsidiary pavilions, connected with corn festoons. Corn, tobacco, peanuts, and sheaf grain entered into the decorations on a blue ground, the effect being harmonious. It was accorded the honor of obtaining one of the four grand prizes awarded in State agricultural exhibits. Tobacco was also used as a special exhibit, and was featured by an Indian maiden standing on a pedestal 23 feet high and holding in her outstretched hand a bundle of tobacco. A miniature log cabin advertised a special brand of tobacco. The horticultural exhibit consisted of an open, three-towered elliptical pavilion and a horn of plenty, apparently pouring apples on a pyramid of natural fruit below. This was made primarily an apple exhibit, more than 800 barrels being used for the purpose. Peaches, melons, pears, cranberries, and other fruits were shown in season. The forestry, fish, and game exhibit was displayed by the use of sectional disks and boards in the rough, dressed, and polished, and by specimens of fish in natural skins and papier-mache, illustrating the leading food fish of Virginia waters. Mounted animals and a very complete collection of mounted water fowls and game birds were displayed. There was also one of the largest collections of oyster models ever made, illustrating by means of composition replicas in the natural shell of all the leading types of the Virginia oyster. Transparencies 28 by 30 were used to illustrate forest scenes, while in manufactured goods an interesting display was made. The exhibit booth consisted of a rear facade with brown color scheme, relieved by ornamentation in shells, fish scales, and forest products, the whole forming an immense picture of Hampton Roads executed in colors. The installation for the mines and metallurgy exhibit was mediaeval in architecture. A castellated gateway, veneered with copper ores, gypsum, and slate was flanked by a balustrade of slate surmounted by onyx balls. In the gateway appeared a coal exhibit, representing King Coal seated on a throne and guarded on either side by gnomes. The windows in the rear were screened with t
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