poetry is as animated as
what it paints. I can even like the epithet _Orient_; as the last is
the empire of fancy and poesy, I would allow its livery to be erected
into a colour. I think _blue-eyed Pleasures_ is allowable: when Homer
gave eyes of what hue he pleased to his Queen-Goddesses, sure Mr. Gray
may tinge those of their handmaids.

In answer to your Lordship's objection to _many-twinkling_, in that
beautiful epode, I will quote authority to which you will yield. As
Greek as the expression is, it struck Mrs. Garrick, and she says, on
that whole picture, that Mr. Gray is the only poet who ever understood
dancing.

These faults I think I can defend, and can excuse others; even the
great obscurity of the latter, for I do not see it in the first; the
subject of it has been taken for music,--it is the Power and Progress
of Harmonious Poetry. I think his objection to prefixing a title to it
was wrong--that Mr. Cooke published an ode with such a title. If the
Louis the Great, whom Voltaire has discovered in Hungary, had not
disappeared from history himself, would not Louis Quatorze have
annihilated him? I was aware that the second would have darknesses,
and prevailed for the insertion of what notes there are, and would
have had more. Mr. Gray said, whatever wanted explanation did not
deserve it, but that sentence was never so far from being an axiom as
in the present case. Not to mention how he had shackled himself with
strophe, antistrophe, and epode (yet acquitting himself nobly),
the nature of prophecy forbade him naming his kings. To me they are
apparent enough--yet I am far from thinking either piece perfect,
though with what faults they have, I hold them in the first rank of
genius and poetry. The second strophe of the first Ode is inexcusable,
nor do I wonder your Lordship blames it; even when one does understand
it, perhaps the last line is too turgid. I am not fond of the
antistrophe that follows. In the second Ode he made some corrections
for the worse. _Brave Urion_ was originally _stern_: brave is insipid
and commonplace. In the third antistrophe, _leave me unblessed,
unpitied_, stood at first, _leave your despairing Caradoc_. But the
capital faults in my opinion are these--what punishment was it to
Edward I to hear that his grandson would conquer France? or is so
common an event as Edward III being deserted on his death-bed, worthy
of being made part of a curse that was to avenge a nation? I can't
cast m