towers and domes of Paris. Farther in
the foreground lies the grave of Hortense, with the carved likeness of
the queenly sister of the flowers. Loneliness reigns around the spot,
but above it, in the air, hovers the imperial eagle. The imperial
mantle, studded with its golden bees, undulates behind him, like the
train of a comet; the dark-red ribbon of the Legion of Honor, with the
golden cross, hangs around his neck, and in his beak he bears a
full-blooming branch of the crown imperial.

It is a page of world-renowned history that this charming picture of
Gavarni's conjures up before us--an historical pageant that sweeps by
us in wondrous fantastic forms of light and shadow, when we scan the
life of Queen Hortense with searching gaze, and meditate upon her
destiny. She had known all the grandeur and splendor of earth, and had
seen them all crumble again to dust. No, not all! Her ballads and poems
remain, for genius needs no diadem to be immortal.

When Hortense ceased to be a queen by the grace of Napoleon, she none
the less continued to be a poetess "by the grace of God." Her poems are
sympathetic and charming, full of tender plaintiveness and full of
impassioned warmth, which, however, in no instance oversteps the bounds
of womanly gentleness. Her musical compositions, too, are equally
melodious and attractive to the heart. Who does not know the song, "_Va
t'en, Guerrier_," which Hortense wrote and set to music, and then, at
Napoleon's request, converted into a military march? The soldiers of
France once left their native land, in those days, to the sound of this
march, to carry the French eagles to Russia; and to the same warlike
harmony they have marched forth more recently, toward the same distant
destination. This ballad, written by Hortense, survived. At one time
everybody sang it, joyously, aloud. Then, when the Bourbons had
returned, the scarred and crippled veterans of the _Invalides_ hummed it
under their breath, while they whispered secretly to each other of the
glory of _La Belle France_, as of a beautiful dream of youth, now
gone forever.

To-day, that song rings out with power again through France, and mounts
in jubilee to the summit of the column on the Place Vendome. The bronze
visage of the emperor seems to melt into a smile as these tremulous
billows of melody go sweeping around his brow, and the Hortensias on the
queen's grave raise dreamingly their heads of bloom, in which the dews
of heaven, or