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wers it would. On some brown bed of pine-needles, or on a friendly gray boulder close by the water-side, where she could give her eyes to its flow and foam, and her ears to its music,--music like the muffled tinkling of little silver bells in the distance,--she would let herself go out to her dream with the joyous, reckless abandon of falling water. It was commonly a dream of a youth in doublet and hose, a plumed cap, and a cloak of purple satin, who came in the moonlight to the balcony of his love, and sighed his passion in tones so moving that she thought an angel must have yielded--as did the girl in the balcony who had let down the scarf to him. She already knew how that girl's heart must have fluttered at the moment,--how she must have felt that the hands were mad, wicked, uncontrollable hands, no longer her own. There was one place in the dream that she managed not without some ingenuity. It had to be made plain that the lover under the window did not come from a long, six-doored house, with a wife behind each door; that this girl, pale in the moonlight, with quickening heart and rebellious hands on the scarf, and arms that should open to him, was to be not only his first wife but his last; that he was never even to consider so much as the possibility of another, but was to cleave unto her, and to love her with a single heart for all the days of her life and his own. There were various ways of bringing this circumstance forward. Usually she had Brigham march on at the head of his great family and counsel the youth to take more wives, in order that he should be exalted in the Kingdom. Whereupon the young man would fold his love in his arms and speak words of scorn, in the same thrilling manner that he spoke his other words, for any exaltation which they two could not share alone. Brigham, at the head of his wives, would then slink off, much abashed. She had come naturally to see her own face as the face of this happily loved girl in the dream. She knew no face for the youth. There was none in Amalon; not Jarom Tanner, six feet three, who became a helpless, grinning child in her presence; nor Moroni Peterson, who became a solemn and ghastly imbecile; nor Ammaron Wright, son of the Bishop, who had opened the dance of the Young People's Auxiliary with prayer, and later tried to kiss her in a dark corner of the room. So the face of the other person in her dream remained of an unknown heavenly beauty. And then
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