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iduals produced through natural generation, as it would have been in the case of the first man, supernaturally created. Why not, then, just as good even on the supposition of the descent of men from Chimpanzees and Gorillas, since those animals possess these same contrivances? Or, to take a more supposable case: If the argument from structure to design is convincing when drawn from a particular animal, say a Newfoundland dog, and is not weakened by the knowledge that this dog came from similar parents, would it be at all weakened, if, in tracing his genealogy, it were ascertained that he was a remote descendant of the mastiff or some other breed, or that both these and other breeds came (as is suspected) from some wolf? If not, how is the argument for design in the structure of our particular dog affected by the supposition that his wolfish progenitor came from a post-tertiary wolf, perhaps less unlike an existing one than the dog in question is from some other of the numerous existing races of dogs, and that this post-tertiary came from an equally or more different tertiary wolf? And if the argument from structure to design is not invalidated by our present knowledge that our individual dog was developed from a single organic cell, how is it invalidated by the supposition of an analogous natural descent, through a long line of connected forms, from such a cell, or from some simple animal, existing ages before there were any dogs? Again, suppose we have two well-known and very decidedly different animals or plants, A and D, both presenting, in their structure and in their adaptations to the conditions of existence, as valid and clear evidence of design as any animal or plant ever presented: suppose we have now discovered two intermediate species, B and C, which make up a series with equable differences from A to D. Is the proof of design or final cause in A and D, whatever it amounted to, at all weakened by the discovered intermediate forms? Rather does not the proof extend to the intermediate species, and go to show that all four were equally designed? Suppose, now, the number of intermediate forms to be much increased, and therefore the gradations to be closer yet, as close as those between the various sorts of dogs, or races of men, or of horned cattle: would the evidence of design, as shown in the structure of any of the members of the series, be any weaker than it was in the case of A and D? Whoever contends that it
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