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by Edgar Sheepmeadow (18 vols). [13] These are all in the Brighton Aquarium. [14] At Pragg Castle, near Hull. [15] See Sheepmeadow's "Heroines and their Diseases." [16] Von Bottiburgen, science master at the Munich College, author and compiler of the following:--"Our Women"; "Do Actresses Mind Much?"; "Life of Fritz Schnotter." [17] For example, "Spout the Man," 3 vols.--Richard Floop; "Jake the Climber," 7 vols.--Sholto Z. Hosper. [18] "Fruit as a Decoration," "With Shaggy Four Legged Playmates" and "Bhuddism as Opposed to Electricity." [19] Spanish equivalent to "tag" or "he." [20] Bolawalla--Spanish equivalent for "mullet." [21] Bloodworthy says: "It was her fond boast that she never hid him in the same tree twice." [22] Bloodworthy, in telling the story, says that only one tear fell; but Bloodworthy, brilliant recorder as he was, was occasionally prejudiced. [23] The reproduction on page 134 from the celebrated picture by Gerphipps--in oils at the National Gallery, in water colour at the Tate Gallery, and in Paripan at the Edinburgh Art Museum. [24] The picture represents Maggie at the end of the second week. [25] Except on one occasion. For particulars, see Boris Brattlevitch's "Women of Russia." [26] According to Mettlethorp's "Asiatic Soldiery," Vol. VII. [27] See Tadski's "Natural Mammals of the Steppes." [28] During the celebrated rising in 1682. [29] For full reference, see Dulwich Library--'buses Nos. 48 and 75 and L.C.C. trams; change at Camberwell Green. End of Project Gutenberg's Terribly Intimate Portraits, by Noel Coward *** END OF THIS PROJECT GUTENBERG EBOOK TERRIBLY INTIMATE PORTRAITS *** ***** This file should be named 26649.txt or 26649.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/6/6/4/26649/ Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Print project.) Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use pa
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