oulogne containing large botanical and zological gardens, three race
courses, the longest nearly two miles in circuit, lakes and drives; also
many other gardens, squares, towers, columns, &c.--all full of beauty or
interesting on account of the historical events and incidents associated
with them; but I must now devote the remainder of my space to the

Theatres, Operas

and other places of amusement of the great capital of the social world.
Places of amusement are the leading feature of Paris, and a boundless
variety, adapted to the wants and tastes of every class of society, are
strewn in endless profusion all over the city. The concert season lasts
almost all the year round, though the highest class are limited to the
winter and spring. Masked balls take place throughout the Carnival, in the
winter season, and are thus spoken of and described by Galignani: "The
most amusing are at the Opera-house, where they begin at midnight and
continue till daybreak. No stranger who visits Paris at this season of the
year should omit a visit to one of the _Bals masques_ at this theater, for
it is difficult to imagine a scene more curious and fantastic than that
presented in the _Salle_ of the Grand Opera at a Carnival Ball. On these
nights the pit is boarded over and joins the stage; the vast area of the
whole theater forming a ball-room of magnificent proportions, which,
brilliantly lighted, and crowded with thousands of gay maskers attired in
every variety of colour and costume, forms a sight not easily forgotten.
Ladies should not go except as spectators in a box and under the
protection of their relatives. The ticket costs $2.00. To witness this
scene in perfection the visitor should wait until 12 or 1 o'clock, when
the company is completely assembled and the votaries of the dance are in
full activity. On entering the vast _salle_ at such a moment the effect is
scarcely imaginable, the gorgeousness of the immense theater, the glitter
of the lights, the brilliancy and variety of the costumes, the enlivening
strains of music, the mirth of the browd, and, above all, the the
untiring velocity with which the dancers whirl themselves through the
mazes of the waltz, polka and mazourka, present an appearance of
bewindering gayety not to be described. * * * * On some occasions of
special enthusiasm the crowd take up the leader of the orchestra with the
most frantic plaudits, and in more than one instance have carried him in
triump