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or Atlantis' shore Upon the bosom of his Dido dear, For all that we know! Never a sound of him Since passing Portland one September day-- To make for Cadiz; so 'twas then believed. MULGRAVE He's staunch. He's watching, or I am much deceived. [MULGRAVE departs. MALMESBURY goes within. The scene shuts.] ACT FIFTH SCENE I OFF CAPE TRAFALGAR [A bird's eye view of the sea discloses itself. It is daybreak, and the broad face of the ocean is fringed on its eastern edge by the Cape and the Spanish shore. On the rolling surface immediately beneath the eye, ranged more or less in two parallel lines running north and south, one group from the twain standing off somewhat, are the vessels of the combined French and Spanish navies, whose canvases, as the sun edges upward, shine in its rays like satin. On the western horizon two columns of ships appear in full sail, small as moths to the aerial vision. They are bearing down towards the combined squadrons.] RECORDING ANGEL I [intoning from his book] At last Villeneuve accepts the sea and fate, Despite the Cadiz council called of late, Whereat his stoutest captains--men the first To do all mortals durst-- Willing to sail, and bleed, and bear the worst, Short of cold suicide, did yet opine That plunging mid those teeth of treble line In jaws of oaken wood Held open by the English navarchy With suasive breadth and artful modesty, Would smack of purposeless foolhardihood. RECORDING ANGEL II But word came, writ in mandatory mood, To put from Cadiz, gain Toulon, and straight At a said sign on Italy operate. Moreover that Villeneuve, arrived as planned, Would find Rosily in supreme command.-- Gloomy Villeneuve grows rash, and, darkly brave, Leaps to meet war, storm, Nelson--even the grave. SEMICHORUS I OF THE YEARS [aerial music] Ere the concussion hurtle, draw abreast Of the sea. SEMICHORUS II Where Nelson's hulls are rising from the west, Silently. SEMICHORUS I Each linen wing outspread, each man and lad Sworn to be SEMICHORUS II Amid the vanmost, or for Death, or glad Victory! [The poi
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