or Atlantis' shore
Upon the bosom of his Dido dear,
For all that we know! Never a sound of him
Since passing Portland one September day--
To make for Cadiz; so 'twas then believed.
MULGRAVE
He's staunch. He's watching, or I am much deceived.
[MULGRAVE departs. MALMESBURY goes within. The scene shuts.]
ACT FIFTH
SCENE I
OFF CAPE TRAFALGAR
[A bird's eye view of the sea discloses itself. It is daybreak,
and the broad face of the ocean is fringed on its eastern edge
by the Cape and the Spanish shore. On the rolling surface
immediately beneath the eye, ranged more or less in two parallel
lines running north and south, one group from the twain standing
off somewhat, are the vessels of the combined French and Spanish
navies, whose canvases, as the sun edges upward, shine in its
rays like satin.
On the western horizon two columns of ships appear in full sail,
small as moths to the aerial vision. They are bearing down
towards the combined squadrons.]
RECORDING ANGEL I [intoning from his book]
At last Villeneuve accepts the sea and fate,
Despite the Cadiz council called of late,
Whereat his stoutest captains--men the first
To do all mortals durst--
Willing to sail, and bleed, and bear the worst,
Short of cold suicide, did yet opine
That plunging mid those teeth of treble line
In jaws of oaken wood
Held open by the English navarchy
With suasive breadth and artful modesty,
Would smack of purposeless foolhardihood.
RECORDING ANGEL II
But word came, writ in mandatory mood,
To put from Cadiz, gain Toulon, and straight
At a said sign on Italy operate.
Moreover that Villeneuve, arrived as planned,
Would find Rosily in supreme command.--
Gloomy Villeneuve grows rash, and, darkly brave,
Leaps to meet war, storm, Nelson--even the grave.
SEMICHORUS I OF THE YEARS [aerial music]
Ere the concussion hurtle, draw abreast
Of the sea.
SEMICHORUS II
Where Nelson's hulls are rising from the west,
Silently.
SEMICHORUS I
Each linen wing outspread, each man and lad
Sworn to be
SEMICHORUS II
Amid the vanmost, or for Death, or glad
Victory!
[The poi
|