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is" chapter 8 - page 189, para 1, added a missing close-quote chapter 9 - page 259, para 3, changed "outgeneraled" to "outgeneralled" (whether 'tis a word or not, the variant with double-"l" occurs 3 times in this book, the single-"l" variant only once) chapter 10 - page 272, para 2, changed "fulness" to "fullness" - page 273, para 1, fixed typo "marvellous" - page 282, end of para 2, changed "division" to "divisions" chapter 11 - page 295, para 3, fixed typo "dextrously" chapter 13 - page 347, para 4, fixed typo "occurrred" - page 351, para 4, fixed typo "wofully" - page 358, para 9, added a missing close-quote - page 359, para 1, changed "You" to "Your" Modifications resulting from conversion to plain ASCII: - chapter 1, page 12, the phrase "In forma pauperis" was presented in italics in the printed book - chapter 10, page 282, the name "Duffie" was presented in the printed book with an accented "e" I did not modify: - There are instances where the use of the comma in the printed book seems to me inappropriate. However, I have adhered to the punctuation as printed (except for obvious printing errors, which are noted above). For example: But Harry, having further leave of absence went forth and answered many questions. - Each section of verse is formatted to appear similar to its presentation in the printed book. Consequently: some verse is indented more than others, some is left-aligned, some is staggered on the left margin, some is center-aligned. - The author sometimes uses a technique whereby a paragraph introducing a quotation ends with a colon, with the quotation following as the next paragraph. End of Project Gutenberg's The Star of Gettysburg, by Joseph A. Altsheler *** END OF THIS PROJECT GUTENBERG EBOOK THE STAR OF GETTYSBURG *** ***** This file should be named 3811.txt or 3811.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/3/8/1/3811/ Produced by Ken Reeder. HTML version by Al Haines. Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying
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