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n. I want you to come home, my dear old comrade, and to buy a house near here. You have done your day's work, and have lots of money now, and there is a place for sale quite close which would suit you admirably. Do come; the sooner the better; you can finish writing the story of our adventures on board ship. We have refused to tell the tale till it is written by you, for fear lest we shall not be believed. If you start on receipt of this you will reach here by Christmas, and I book you to stay with me for that. Good is coming, and George; and so, by the way, is your boy Harry (there's a bribe for you). I have had him down for a week's shooting, and like him. He is a cool young hand; he shot me in the leg, cut out the pellets, and then remarked upon the advantages of having a medical student with every shooting party! Good-bye, old boy; I can't say any more, but I know that you will come, if it is only to oblige Your sincere friend, Henry Curtis. P.S.--The tusks of the great bull that killed poor Khiva have now been put up in the hall here, over the pair of buffalo horns you gave me, and look magnificent; and the axe with which I chopped off Twala's head is fixed above my writing-table. I wish that we could have managed to bring away the coats of chain armour. Don't lose poor Foulata's basket in which you brought away the diamonds. H.C. To-day is Tuesday. There is a steamer going on Friday, and I really think that I must take Curtis at his word, and sail by her for England, if it is only to see you, Harry, my boy, and to look after the printing of this history, which is a task that I do not like to trust to anybody else. ALLAN QUATERMAIN. [1] Vulture. End of Project Gutenberg's King Solomon's Mines, by H. Rider Haggard *** END OF THIS PROJECT GUTENBERG EBOOK KING SOLOMON'S MINES *** ***** This file should be named 2166.txt or 2166.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/1/6/2166/ Produced by John Bickers and Dagny. HTML version by Al Haines. Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without payin
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