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it seemed imploringly: dinner was growing cold. It roused Mr. Barbecue-Smith from meditation. He turned to Denis. "You understand me now when I advise you to cultivate your Inspiration. Let your Subconscious work for you; turn on the Niagara of the Infinite." There was the sound of feet on the stairs. Mr. Barbecue-Smith got up, laid his hand for an instant on Denis's shoulder, and said: "No more now. Another time. And remember, I rely absolutely on your discretion in this matter. There are intimate, sacred things that one doesn't wish to be generally known." "Of course," said Denis. "I quite understand." CHAPTER VII. At Crome all the beds were ancient hereditary pieces of furniture. Huge beds, like four-masted ships, with furled sails of shining coloured stuff. Beds carved and inlaid, beds painted and gilded. Beds of walnut and oak, of rare exotic woods. Beds of every date and fashion from the time of Sir Ferdinando, who built the house, to the time of his namesake in the late eighteenth century, the last of the family, but all of them grandiose, magnificent. The finest of all was now Anne's bed. Sir Julius, son to Sir Ferdinando, had had it made in Venice against his wife's first lying-in. Early seicento Venice had expended all its extravagant art in the making of it. The body of the bed was like a great square sarcophagus. Clustering roses were carved in high relief on its wooden panels, and luscious putti wallowed among the roses. On the black ground-work of the panels the carved reliefs were gilded and burnished. The golden roses twined in spirals up the four pillar-like posts, and cherubs, seated at the top of each column, supported a wooden canopy fretted with the same carved flowers. Anne was reading in bed. Two candles stood on the little table beside her, in their rich light her face, her bare arm and shoulder took on warm hues and a sort of peach-like quality of surface. Here and there in the canopy above her carved golden petals shone brightly among profound shadows, and the soft light, falling on the sculptured panel of the bed, broke restlessly among the intricate roses, lingered in a broad caress on the blown cheeks, the dimpled bellies, the tight, absurd little posteriors of the sprawling putti. There was a discreet tap at the door. She looked up. "Come in, come in." A face, round and childish, within its sleek bell of golden hair, peered round the opening door. More childish-loo
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