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fection. Left to itself the boldest and most enterprising of its members rose to command, and the mode of warfare best adapted to their force and habits was pursued. Each province boasted of a hero, in command of a formidable band--Old Castile, Don Julian Sanches; Aragon, Longa; Navarre, Esprez y Mina, ... with innumerable others, whose deeds spread a lustre over every part of the kingdom.... Mina and Longa headed armies of 6000 or 8000 men with distinguished ability, and displayed manoeuvres oftentimes for months together, in baffling the pursuit of more numerous bodies of French, which would reflect credit on the most celebrated commanders." Mina had been trained for clerical life. (See _Account of the War in Spain and Portugal, and in the south of France, from 1808 to 1814 inclusive_, by Lieut.-Colonel John T. Jones. London, 1818.)--ED. [D] Sertorius.--W. W. 1827. See note to _The Prelude_ book i. vol. iii. p. 138.--ED. "THE POWER OF ARMIES IS A VISIBLE THING" Composed 1811.--Published 1815 One of the "Sonnets dedicated to Liberty." The power of Armies is a visible thing,[A] Formal, and circumscribed in time and space;[1] But who the limits of that power shall trace[2] Which a brave People into light can bring Or hide, at will,--for freedom combating 5 By just revenge inflamed? No foot may chase,[3] No eye can follow, to a fatal[4] place That power, that spirit, whether on the wing Like the strong wind, or sleeping like the wind Within its awful caves.--From year to year 10 Springs this indigenous produce far and near; No craft this subtle element can bind, Rising like water from the soil, to find In every nook a lip that it may cheer. VARIANTS: [1] 1827. ... and place; 1815. [2] 1827. ... can trace 1815. [3] 1827. ... can chase, 1815. [4] The word "fatal" was _italicised_ in the editions of 1815-43. FOOTNOTES: [A] Compare Aubrey de Vere's _Picturesque Sketches of Greece and Turkey_, vol. i. chap. viii. p. 204.--ED. "HERE PAUSE: THE POET CLAIMS AT LEAST THIS PRAISE" Composed 1811.--Published 1815 Included among the "Sonnets dedicated to Liberty." In 1815 it was called _Conclusion_, as ending this series of poems in that edition. In all
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