rything necessary to
make life comfortable. In the front parlor are piano, easy chairs and
many pictures and pieces of bric-a-brac, given by friends. Over the
mantel hangs a fine, large painting of the Yosemite, presented to Miss
Anthony in 1896 by William Keith, the noted artist of California.
Beneath it stand three fine photographs, Mary Wollstonecraft, Lucretia
Mott and Frederick Douglass. Between the windows is the very mahogany
table upon which were written the call and resolutions for the first
woman's rights convention ever held--the gift of Mrs. Stanton. In the
back parlor the most conspicuous object is the library table strewn with
the papers and magazines which come by every mail. This is surrounded
with arm-chairs, tempting one to pause awhile and enjoy this luxury of
literature. On one side are the bookcases, and on the walls large
engravings of Elizabeth Cady Stanton, Susan B. Anthony, and a handsome
copy of Murillo's Madonna, while in one corner stands the mother's
spinning-wheel. Opening out of this room is Miss Mary's study, the big
desk filled with work pertaining to the Political Equality Club of 200
members, whose efficient president she has been for a number of years;
and here she spends several hours every day looking after her own work
and relieving her sister of a part of hers. There is a sewing-machine
here also, and a big, old-fashioned haircloth sofa, suggesting a nap and
a dream of bygone days.

In the dining-room is a handsomely carved mahogany sideboard, a family
heirloom, containing china and silver which belonged to mother and
grandmother, and here hang very old steel engravings of Washington and
Lincoln. The large, light kitchen, with its hard coal range, is a
favorite apartment, and Miss Anthony especially enjoys sitting there in
a low rocking-chair while she reads the morning paper. The front room
upstairs, with little dressing-room attached, is the guest chamber. It
contains a great chest of drawers, a dressing-table and mirror which
were part of the mother's wedding outfit over eighty years ago, a
mahogany bedstead and a modern writing-desk and rocking-chairs. On the
walls are several paintings, the work of loved hands long since at rest,
and two engravings, over one hundred years old, such as used to hang in
every Abolitionist's parlor in early days. They are copies of paintings
by G. Morland, engraved in 1794, by "J. R. Smith, King St., Covent
Garden, engravers to H. R. H. the Princ