don't mistake me," I continued, "I do not mean to say
that I could do justice to your subject, though I am fond of the heroic;
but I can introduce you to a great master of the heroic, fully competent
to do justice to your mayor. Not to me, therefore, be the painting of
the picture given, but to a friend of mine, the great master of the
heroic, to the best, the strongest, [Greek text]," I added, for, being
amongst orators, I thought a word of Greek would tell.'

'Well,' said I, 'and what did the orators say?'

'They gazed dubiously at me and at one another,' said my brother; 'at
last the watchmaker asked me who this Mr. Christo was; adding, that he
had never heard of such a person; that, from my recommendation of him, he
had no doubt that he was a very clever man; but that they should like to
know something more about him before giving the commission to him. That
he had heard of Christie the great auctioneer, who was considered to be
an excellent judge of pictures; but he supposed that I
scarcely--Whereupon, interrupting the watchmaker, I told him that I
alluded neither to Christo nor to Christie; but to the painter of Lazarus
rising from the grave, a painter under whom I had myself studied during
some months that I had spent in London, and to whom I was indebted for
much connected with the heroic.

'"I have heard of him," said the watchmaker, "and his paintings too; but
I am afraid that he is not exactly the gentleman by whom our mayor would
wish to be painted. I have heard say that he is not a very good friend
to Church and State. Come, young man," he added, "it appears to me that
you are too modest; I like your style of painting, so do we all, and--why
should I mince the matter?--the money is to be collected in the town, why
should it go into a stranger's pocket, and be spent in London?"

'Thereupon I made them a speech, in which I said that art had nothing to
do with Church and State, at least with English Church and State, which
had never encouraged it; and that, though Church and State were doubtless
very fine things, a man might be a very good artist who cared not a straw
for either. I then made use of some more Greek words, and told them how
painting was one of the Nine Muses, and one of the most independent
creatures alive, inspiring whom she pleased, and asking leave of nobody;
that I should be quite unworthy of the favours of the Muse, if, on the
present occasion, I did not recommend them a man whom I c