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and after a long interval of silence on his own part. Early and late he pipes and chatters, as if he imagined that the spring were really coming back again forthwith. What the explanation of this lyrical revival may be I have never been able to gather; but the fact itself is very noticeable, so that it would not be amiss to call the "golden robin" the bird of August. The oriole's dusky relatives have the organs of song well developed; and although most of the species have altogether lost the art of music, there are none of them, even now, that do not betray more or less of the musical impulse. The red-winged blackbird, indeed, has some really praiseworthy notes; and to me--for personal reasons quite aside from any question about its lyrical value--his rough _cucurree_ is one of the very pleasantest of sounds. For that matter, however, there is no one of our birds--be he, in technical language, "oscine" or "non-oscine"--whose voice is not, in its own way, agreeable. Except a few uncommonly superstitious people, who does not enjoy the whip-poor-will's trisyllabic exhortation, and the _yak_ of the night-hawk? Bob White's weather predictions, also, have a wild charm all their own, albeit his persistent _No more wet_ is often sadly out of accord with the farmer's hopes. We have no more untuneful bird, surely, than the cow bunting; yet even the serenades of this shameless polygamist have one merit,--they are at least amusing. With what infinite labor he brings forth his forlorn, broken-winded whistle, while his tail twitches convulsively, as if tail and larynx were worked by the same spring! The judging, comparing spirit, the conscientious dread of being ignorantly happy when a broader culture would enable us to be intelligently miserable,--this has its place, unquestionably, in concert halls; but if we are to make the best use of out-door minstrelsy, we must learn to take things as we find them, throwing criticism to the winds. Having said which, I am bound to go further still, and to acknowledge that on looking back over the first part of this paper I feel more than half ashamed of the strictures therein passed upon the bluebird and the brown thrush. When I heard the former's salutation from a Boston Common elm on the morning, of the 22d of February last, I said to myself that no music, not even the nightingale's, could ever be sweeter. Let him keep on, by all means, in his own artless way, paying no heed to what I have
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