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in a couple of generations. "They got their troubles though," Pop reminded me and that led us to speculating about the war we'd dipped into. Savannah Fortress, we knew, was supposed to be based on some big atomic plants on the river down that way, but its culture seemed to have a fiercer ingredient than Atla-Alamos. Before we knew it we were, musing almost romantically about the plight of Atla-Hi, besieged by superior and (it was easy to suppose) barbaric forces, and maybe distant Los Alamos in a similar predicament--Alice reminded me how the voice had asked if they were still dying out there. For a moment I found myself fiercely proud that I had been able to strike a blow against evil aggressors. At once, of course, then, the revulsion came. "This is a hell of a way," I said, "for three so-called realists to be mooning about things." "Yes, especially when your heroes kicked us out," Alice agreed. Pop chuckled. "Yep," he said, "they even took Ray's artillery away from him." "You're wrong there, Pop," I said, sitting up. "I still got one of the grenades--the one the pilot had in his fist." To tell the truth I'd forgotten all about it and it bothered me a little now to feel it snugged up in my pocket against my hip bone where the skin is thin. "You believe what that old Dutchman said about the steel cubes being atomic grenades?" Pop asked me. "I don't know," I said, "He sure didn't sound enthusiastic about telling us the truth about anything. But for that matter he sounded mean enough to tell the truth figuring we'd think it was a lie. Maybe this _is_ some sort of baby A-bomb with a fuse timed like a grenade." I got it out and hefted it. "How about I press the button and drop it out the door? Then we'll know." I really felt like doing it--restless, I guess. "Don't be a fool, Ray," Alice said. "Don't tense up, I won't," I told her. At the same time I made myself the little promise that if I ever got to feeling restless, that is, restless and _bad_, I'd just go ahead and punch the button and see what happened--sort of leave my future up to the gods of the Deathlands, you might say. "What makes you so sure it's a weapon?" Pop asked. "What else would it be," I asked him, "that they'd be so hot on getting them in the middle of a war?" "I don't know for sure," Pop said. "I've made a guess, but I don't want to tell it now. What I'm getting at, Ray, is that your first thought about anything you find--i
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