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can be no doubt that, had there been no misprints in Shakespeare's quartos and folios, half the occupation of Shakespeare scholarship would have been lacking. Sometimes the original manuscript turns up--unfortunately not in Shakespeare's case--to confute some or all of the ingenious editors. A learned professor changed the word "unbodied" in Shelley's "Skylark" to "embodied," and some critics approved the change; but the poet's manuscript in the Harvard University Library makes the former reading clear beyond question. One might say that in these cases the Imp of the Perverse plants himself like a fatal microbe in the brain of the unfortunate editor. When that brilliant work, "The Principles of Success in Literature," by George Henry Lewes, appeared in the "Fortnightly Review," the expression "tilt stones from a cart" (used to describe careless writing) was printed with _l_ as the first letter. When the chapters were reissued in America, the proofreader, warned by the presence of numerous other gross misprints, naturally corrected the meaningless "lilt" to the obvious and natural "tilt." This change at first escaped the attention of the American editor, who in the second edition insisted on restoring the original misprint and even defended his misjudgment in a note. It is worth adding that the Oxford English Dictionary takes the misprint as too obvious for comment and quotes the passage under "tilt." The most daring feat of the typographic Angel of the Odd--to adopt another of Poe's expressions--is the creation of what Professor Skeat called "ghost words," that is, words that seem to exist but do not. A misprint in Scott's "Monastery" of "morse" for "nurse" was accepted without question by readers and gravely explained by scholars. Some of these words, of which there are scores, are due to the misreading of crabbed manuscripts, but not a few have originated in the printing office. It must be remembered that they make their way into the dictionaries. For another instance let the reader open Worcester's Dictionary to the word _phantomnation_. He will see it defined as "illusion" and referred to Pope. In Webster's Dictionary, however, he will learn its true character, as a ghost word formed by running together the two words _phantom nation_. The printing of poetry involves all the possible mistakes liable to prose and, owing to the form of poetry, some new ones. Thus in Pickering's Aldine edition of Milton, two words o
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