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w outside of the small proportion of the initiated realize how much the performance of the singer whom they see and hear on the stage is dependent on previous rehearsal, constant practice and watchfulness over the physical conditions that preserve that most precious of our assets, the voice. Nor does this same great public in general know of what the singer often suffers in the way of nervousness or stage fright before appearing in front of the footlights, nor that his life, outwardly so feted and brilliant, is in private more or less of a retired, ascetic one and that his social pleasures must be strictly limited. These conditions, of course, vary greatly with the individual singer, but I will try to tell in the following articles, as exemplified in my own case, what a great responsibility a voice is when one considers that it is the great God-given treasure which brings us our fame and fortune. I am perhaps more favored than many in the fact that my voice was always "there," and that, with proper cultivation, of course, I have not had to overstrain it in the attempt to reach vocal heights which have come to some only after severe and long-continued effort. But, on the other hand, the finer the natural voice the more sedulous the care required to preserve it in its pristine freshness to bloom. This is the singer's ever present problem--in my case, however, mostly a matter of common sense living. As regards eating--a rather important item, by the way--I have kept to the light "continental" breakfast, which I do not take too early; then a rather substantial luncheon toward two o'clock. My native macaroni, specially prepared by my chef, who is engaged particularly for his ability in this way, is often a feature in this midday meal. I incline toward the simpler and more nourishing food, though my tastes are broad in the matter, but lay particular stress on the excellence of the cooking, for one cannot afford to risk one's health on indifferently cooked food, no matter what its quality. On the nights when I sing I take nothing after luncheon, except perhaps a sandwich and a glass of Chianti, until after the performance, when I have a supper of whatever I fancy within reasonable bounds. Being blessed with a good digestion, I have not been obliged to take the extraordinary precautions about what I eat that some singers do. Still, I am careful never to indulge to excess in the pleasures of the table, for the condit
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