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The Project Gutenberg EBook of The Dance (by An Antiquary), by Anonymous This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Dance (by An Antiquary) Historic Illustrations of Dancing from 3300 B.C. to 1911 A.D. Author: Anonymous Release Date: December 12, 2005 [EBook #17289] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE DANCE (BY AN ANTIQUARY) *** Produced by Ben Courtney, Sandy Brown, and the Distributed Proofreaders team THE DANCE _Historic Illustrations of Dancing from 3300 B.C. to 1911 A.D._ BY AN ANTIQUARY LONDON JOHN BALE, SONS & DANIELSSON, LTD. 83-91, GREAT TITCHFIELD STREET, OXFORD STREET, W Respectfully dedicated to Dr. Eleanor Maxwell. 1911 PREFACE. * * * * * This sketch of the iconography of the dance does not pretend to be a history of the subject, except in the most elementary way. It may be taken as a summary of the history of posture; a complete dance cannot be easily rendered in illustration. The text is of the most elementary description; to go into the subject thoroughly would involve years and volumes. The descriptions of the various historic dances or music are enormous subjects; two authors alone have given 800 dances in four volumes.[Footnote: Thompson's complete collection of 200 country dances performed at Court, Bath, Tunbridge, and all public assemblies, with proper figures and directions to each set for the violin, German flute, and hautboy, 8s. 6d. Printed for Charles and Samuel Thompson, St. Paul's Churchyard, London, where may be had the yearly dances and minuets. Four volumes, each 200 dances. 1770-1773.] It would have been interesting if some idea of the orchesography of the Egyptians and Greeks could have been given; this art of describing dances much in the manner that music is written is lost, and the attempts to revive it have been ineffective. The increasing speed of the action since the days of Lulli would now render it almost impossible. It is hoped that this work may be of some us
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