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nt on, "is my greatest find so far." They were before the crafty countenance of Caesar Borgia painted by Pinturrichio. "What a strange face!" commented Mrs. Sohlberg, naively. "I didn't know any one had ever painted him. He looks somewhat like an artist himself, doesn't he?" She had never read the involved and quite Satanic history of this man, and only knew the rumor of his crimes and machinations. "He was, in his way," smiled Cowperwood, who had had an outline of his life, and that of his father, Pope Alexander VI., furnished him at the time of the purchase. Only so recently had his interest in Caesar Borgia begun. Mrs. Sohlberg scarcely gathered the sly humor of it. "Oh yes, and here is Mrs. Cowperwood," she commented, turning to the painting by Van Beers. "It's high in key, isn't it?" she said, loftily, but with an innocent loftiness that appealed to him. He liked spirit and some presumption in a woman. "What brilliant colors! I like the idea of the garden and the clouds." She stepped back, and Cowperwood, interested only in her, surveyed the line of her back and the profile of her face. Such co-ordinated perfection of line and color! "Where every motion weaves and sings," he might have commented. Instead he said: "That was in Brussels. The clouds were an afterthought, and that vase on the wall, too." "It's very good, I think," commented Mrs. Sohlberg, and moved away. "How do you like this Israels?" he asked. It was the painting called "The Frugal Meal." "I like it," she said, "and also your Bastien Le-Page," referring to "The Forge." "But I think your old masters are much more interesting. If you get many more you ought to put them together in a room. Don't you think so? I don't care for your Gerome very much." She had a cute drawl which he considered infinitely alluring. "Why not?" asked Cowperwood. "Oh, it's rather artificial; don't you think so? I like the color, but the women's bodies are too perfect, I should say. It's very pretty, though." He had little faith in the ability of women aside from their value as objects of art; and yet now and then, as in this instance, they revealed a sweet insight which sharpened his own. Aileen, he reflected, would not be capable of making a remark such as this. She was not as beautiful now as this woman--not as alluringly simple, naive, delicious, nor yet as wise. Mrs. Sohlberg, he reflected shrewdly, had a kind of fool for a husband.
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