h, shouting their
offers of:
"Carriage, sir!"
"Carriage, ma'am!"
"Steamboat!"
"Calais steamer!"
"Lord Warden's!"
"Victoria!" and so forth.
Acting instinctively and mechanically, she made her way to the steamboat.
There seemed to be an unusually large number of people going across.
She saw no one among the passengers, whom she recognized; but still she
kept her vail folded twice across her face, as she passed to a settee on
deck.
She was scarcely seated before the boat left the pier.
Wind and tide was against her, and the passage promised to be a slow and
rough one.
And soon indeed the steamer began to roll and toss amid the short, crisp
waves of Dover Straits, now whipped to a froth by wind against tide.
Most of the passengers succumbed and went below.
Now, whether intense mental pre-occupation be an antidote to
sea-sickness, we cannot tell. But it is certain that Salome did not
suffer from the violent motion of the boat. She was indeed scarcely
conscious of it.
She sat upon the deck, wrapped in a large shepherd's plaid shawl, with
her gray vail thickly folded over her face, which was turned toward the
west, where the setting sun was sinking below the ocean horizon, and
drawing down after him a long train of glory from over the troubled
waters.
But it is doubtful if Salome even saw this, or knew what hour, what
season it was!
A rough night followed. Wrapped in her shawl, absorbed in her dream,
Salome remained on deck, unaffected by the weather, and indifferent to
its consequences, although more than once the captain approached and
kindly advised her to go below.
It was after midnight when the boat reached her pier at Calais.
In the same dream Salome left her seat and landed among the sea-sick
crowd.
In the same dream she allowed the custom-house officers to tumble out the
contents of her little valise, and satisfied, without cavil, all their
demands, and answered without hesitation all the questions put to her by
the officials.
In the same dream she made her way to a carriage on the railway train
just about to start for Paris.
There were three other occupants of the carriage, which was but dimly
lighted by two oil lamps. Salome did not look toward them, but doubled
her vail still more closely over her face as she sat down in a corner and
turned toward the window, on the left side of her seat.
The night was so dark that she could see but little, as the train
flashe
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