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in his composition sometimes prompted him to say dashing things, not because he regarded them as true, but because he wanted to make people stare. Speaking of one interesting and homicidal gentleman, the poet observes-- "He knew himself a villain, and he deemed The rest no better than the thing he seemed." Now I take leave to say that the rawest of fifth-form lads never uttered a more school-boyish sentiment than that; and I wonder how a man of the world came to make such a blunder. Byron had lived in the degraded London of the Regency, when Europe's rascality flocked towards St. James's as belated birds flock towards a light; and he should have known some villains if any one did. Ephraim Bond, the abominable moneylender and sportsman, was swaggering round town in Byron's later days; Crockford, that incarnate fiend, had his nets open; and ruined men--men ruined body and soul--left the gambling palace where the satanic spider sat spinning his webs. Byron must have known Crockford, and he had there a chance of studying a being who was indeed a villain, but who fancied himself to be a highly respectable person. From the time when "Crocky" started money-lending in the back parlour of his little fish-shop up to his last ghastly appearance on earth, he was a cheat and a consummate rascal; and even after death his hideous corpse was made to serve a deception. He was engaged in a Turf swindle, and it was necessary that he should be regarded as alive on the evening of the Derby day; but he died in the morning, and, to deceive the betting-men, the lifeless carcass of the old robber was put upright in a club window, and a daring sharper caused the dead hand to wave as if in greeting to the shouting crowd--a fit end to a bad life. Crockford's delusion was that his character was marked by honesty and general benevolence; and those who wished to please him pretended to accept his own comfortable theory. He regarded himself as a really good fellow, and in his own person he was a living confutation of Byron's dashing paradox. Then there was Renton Nicholson, a specimen of social vermin if ever there was one. This fellow earned a sordid livelihood by presiding over a club where men met nightly in orgies that stagger the power of belief. His huge figure and his raffish face were seen wherever rogues most did congregate; he showed young men "life"--and sometimes his work as cicerone led them to death; his style of conversation wou
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