the 'art of Scotland!" "What a sad story to be
shure!" said my Amerricane, with a sigh! "Yes, Sir," I replied, "these
are sum of the many trubbels as our werry greatest men has to endewr,
and happy is he who does not quiver when he has his arrow full of
'em!" And so we parted.
ROBERT.
* * * * *
TO MISS AIDA JENOURE.
(_ON THE WITHDRAWAL OF "THE MOUNTEBANKS."_)
Dear AIDA, good-bye; since it must be, it must;
Yet your slaves view your absence from Town with disgust.
For myself, I'd as soon live at Shipston-on-Stour
As endure life in London without our JENOURE.
Sprightly Mountebank AIDA, sweet Mistress of Arts,
You smiled as you danced yourself into our hearts.
And now from the Strand to the Vale of far Maida
There's only one chorus--"Come back to us, AIDA!"
_Les absents_, you know the old maxim, _ont tort_,
Wherefore dance yourself back, and be present once more.
* * * * *
NOTICE.--Rejected Communications or Contributions, whether MS.,
Printed Matter, Drawings, or Pictures of any description, will in no
case be returned, not even when accompanied by a Stamped and Addressed
Envelope, Cover, or Wrapper. To this rule there will be no exception.
***END OF THE PROJECT GUTENBERG EBOOK PUNCH, OR THE LONDON CHARIVARI, VOL.
103, AUGUST 13, 1892***
******* This file should be named 15142.txt or 15142.zip *******
This and all associated files of various formats will be found in:
http://www.gutenberg.org/dirs/1/5/1/4/15142
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may b
|