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es. Was it altogether his own fault? That, as Mr. BRET HARTE observes, lets me out. I remain as before, DIOGENES ROBINSON. * * * * * A DANGEROUS TITLE. (_TO MR. JOSEPH HATTON, AUTHOR OF "CIGARETTE PAPERS."_) Cigarette Papers, JOSEPH, when properly stuffed, Are meant, I suppose, to be zealously puffed. When we take them in hand, a consuming desire Attacks us to set the gay trifles on fire. Yet, the brand being good (here's the point of my joke), They are always enjoyed ere they vanish in smoke. * * * * * FROM AN X.J.P. TO LORD CHIEF JUSTICE PUNCH.--Sir,--Why complain of "the Licence of the Bar?" Of course it goes with, and is a part of, every Licence to a Public-house granted by the Middlesex Magistrates. I've retired some years myself, am a bit deaf, and don't read much; but I heard just enough to warrant me in writing to you at once on what appears to me so simple a matter. ROBERT SHALLOW, X.J.P., M.M. _At the Sign of the Pig and Pippin._ * * * * * TO THE FUTURE A.R.A.--Better luck next time, Mr. SWAN. Be satisfied that, though at present unelected, you are Swan, R.A., i.e., _Rara Avis_. As you can plume yourself on this, so "_in hoc Cygno, vinces!_" Which we caninecally and not canonically for the nonce nonce-sensically render, "In this (matter), to the Swan (we say) you will (go in and) win!" * * * * * NOTICE.--Rejected Communications or Contributions, whether MS., Printed Matter, Drawings, or Pictures of any description, will in no case be returned, not even when accompanied by a Stamped and Addressed Envelope, Cover, or Wrapper. To this rule there will be no exception. End of the Project Gutenberg EBook of Punch, Or The London Charivari, Vol. 102, February 6, 1892, by Various *** END OF THIS PROJECT GUTENBERG EBOOK PUNCH *** ***** This file should be named 14341.txt or 14341.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.net/1/4/3/4/14341/ Produced by Malcolm Farmer, William Flis, and the PG Online Distributed Proofreading Team Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy an
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