cordingly announced for performance a comic
novelty, to which I gave the name of 'Love Scene.' All were curiously
impatient to know what this should turn out to be, when at last I
appeared with my violin, from which I had taken off the two middle
strings, leaving only the E and the G string. By the first of these
I proposed to represent the lady, by the other the gentleman; and I
proceeded to play a sort of dialogue, in which I attempted to delineate
the capricious quarrels and reconciliations of lovers--at one time
scolding each other, at another sighing and making tender advances,
renewing their professions of love and esteem, and finally winding up
the scene in the utmost good humour and delight. Having at last brought
them into a state of the most perfect harmony, the united pair lead off
a _pas de deux_, concluding with a brilliant finale. This musical
scena went off with much eclat. The lady, who understood the whole
perfectly, rewarded me with her gracious looks; the princess was all
kindness, overwhelmed me with applause, and, after complimenting me upon
what I had been able to effect upon the two strings, expressed a wish to
hear what I could execute upon one string. I immediately assented--the
idea caught my fancy; and as the emperor's birthday took place a. few
weeks afterwards, I composed my Sonata 'Napoleon' for the G. string, and
performed it upon that day before the court with so much approbation
that a cantata of Cimarosa, following immediately alter it upon the same
evening, was completely extinguished, and produced no effect whatever.
This is the first and true cause of my partiality for the G. string; and
as they were always desiring to hear more of it, one day taught another,
until at last my proficiency in this department was completely
established."

We know no one who has been more cruelly misrepresented than the
subject of this notice. In reality a person of the gentlest and most
inoffensive habits, he is any thing rather than the desperate ruffian
he has been described. In his demeanour he is modest and unassuming;
in his disposition, liberal and generous to a fault. Like most artists,
ardent and enthusiastic in his temperament, and in his actions very much
a creature of impulse; he is full of that unaffected simplicity which we
almost invariably find associated with true genius. He has an only son,
by a Signora Antonia Bianchi, a singer from Palermo, with whom he lived
for several years until t