FREE BOOKS

Author's List




PREV.   NEXT  
|<   151   152   153   154   155   156   157   158   159   160   161   162   163   164   165   166   167   168   169   170   171   172   173   174   175  
176   177   178   179   180   181   182   183   184   185   186   187   188   189   190   191   192   193   194   195   196   197   198   199   200   >>   >|  
ut indifferently. I was very much surprised indeed when after she had finished there rose such a storm of applause as I had not heard even in Paris, where Clara was received with exceptional enthusiasm. During the short pause, amateurs and professionals began discussing the music, and in their animated faces I read perfect satisfaction. The cheering lasted until Clara reappeared on the platform. She stepped forth with downcast eyes, and I who could read her face saw what she wanted to express: "You are very kind, and I thank you for it; but it was not good and I feel inclined to cry." I too had applauded with the rest, for which I received a passing glance full of reproach. Clara loves her art too much to be gratified by undeserved applause. I felt sorry for her, and should have liked to say a few encouraging words, but the continued cheering did not permit her to leave the platform. She sat down again and played Beethoven's Sonata in cis-moll, which was not on the programme. There is, I believe, no composition in the whole world that shows with the same distinctness the soul torn by tragic conflict; especially in the third part of the Sonata, the _Presto-agitato_. The music evidently responded to the tune of Clara's soul, and certainly harmonized with my own disposition, for never had I heard Beethoven interpreted and understood like this before. I am not a musician, but I suppose even musicians do not know how much there is in that Sonata. I cannot find another word than "oppressiveness" to describe the sensation wrought upon the audience. One had a feeling as if mystical rites were being performed; there rose before me a vast desert, not of this world, weird and unutterably sad, without shape, half lit up by a ghostly moon, in the midst of which hopeless despair waited and sobbed and tore its hair. It was terrible and impressive because so unearthly; and yet irresistibly attractive,--never had my spirit come in such close proximity to the infinite. It was almost an hallucination. I imagined that in the shapeless desert, in the dusk of a world of shadows, I was searching for somebody dearer to me than the whole world, one without whom I could not and would not live, and I searched with the conviction that I should have to search forever and never find what I was looking for. My heart was so oppressed that at times I could scarcely breathe. I paid no attention to the mechanical part of the execution, which no doubt was
PREV.   NEXT  
|<   151   152   153   154   155   156   157   158   159   160   161   162   163   164   165   166   167   168   169   170   171   172   173   174   175  
176   177   178   179   180   181   182   183   184   185   186   187   188   189   190   191   192   193   194   195   196   197   198   199   200   >>   >|  



Top keywords:

Sonata

 

cheering

 

platform

 

desert

 

Beethoven

 

applause

 

received

 

musician

 

performed

 

unutterably


describe

 

oppressiveness

 

wrought

 
suppose
 

feeling

 

audience

 
musicians
 
sensation
 

mystical

 

unearthly


searched

 

conviction

 
search
 

forever

 

searching

 

shadows

 

dearer

 

attention

 

mechanical

 

execution


breathe

 

scarcely

 

oppressed

 

shapeless

 

terrible

 

impressive

 

sobbed

 

hopeless

 

despair

 

waited


understood

 

infinite

 

hallucination

 
imagined
 

proximity

 

irresistibly

 

attractive

 

spirit

 
ghostly
 
downcast