ERTY........................................... OLD AUNT DINAH
(with Song, "Don't Get Weary").............Miss NINA SALLY
HOSKINS............................................. SAVILLE (With
the old-time melody, "Bobbin' Around.") POOR JOE (with
Song)...................................... FRAULINE LINA
BOOBENSTEIN................................. (With stammering song,
"I yoost landet.") SIR EDMOND BENNETT (specially
engaged)................E.C. GRAINGER WALTON
TRAVERS.........................................G.W. PARSONS GIPSY
JOE..................................................M. ISAACS
'ANNIBAL 'ORACE 'IGGINS................................BILLY BARKER
TOMMY TIPPER.....................................Miss MAMIE SMITH
PETE, the Man on the Dock................................SI HANCOCK
Mrs. MALONE, the Old Woman in the Little House.... Mrs. K.Y. BOOTH
ROBERT BENNETT (aged five)......................Little ANNIE WATSON

Act I.--The Old Home. Act II.--Alone in the World. Act III.--The
Frozen Gulf: THE GREAT ICEBERG SENSATION. Act IV.--Wedding Bells.

"Winona, the Child of the Prairie," will be preceded by

A FAVORITE FARCE,

In which the great BILLY BARKER will appear in one of his most
outrageously funny bits.

New Scenery......................by....................Q.Z. Slocum

Music by Professor Kiddoo's Silver Bugle Brass Band and Philharmonic
Orchestra.

Chickway's Grand Piano, lent by Schmidt, 2 Opera House Block.

AFTER THE SHOW, GO TO HANKS' AND SEE A MAN

Pop Williams, the only legitimate Bill-Poster in New Centreville.

(New Centreville Standard Print.)

DOCUMENT NO. 27.

_Extract from the New Centreville [late Dead Horse] "Gazette and Courier
of Civilization," Dec. 24th, 1878:_

A little while ago, in noting the arrival of Miss Nina Saville of the
New Centreville Opera House we quoted rather extensively from our
esteemed contemporary, the Mendocino _Times_ and commented upon the
quotation. Shortly afterwards, it may also be remembered, we made a very
direct and decided apology for the sceptical levity which inspired those
remarks, and expressed our hearty sympathy with the honest, if somewhat
effusive, enthusiasm with which the dramatic critic of Mendocino greeted
the sweet and dainty little girl who threw over the dull, weary old
business of the stage "sensation" the charm of a fresh and chi