trange (p. xxviii), Tho. Stanley (p. xxvii).]
A
CATALOGUE
Of all the
COMEDIES and TRAGEDIES
Contained in this BOOK, in the same Order as Printed.
1 The Maids Tragedy.*
2 _Philaster_; or, Love lies a bleeding.*
3 A King or no King.*
4 The Scornful Lady.*
5 The Custom of the Country.
6 The Elder Brother.*
7 The Spanish Curate.
8 Wit without Money.*
9 The Beggars Bush.
10 The Humorous Lieutenant.
11 The Faithful Shepherdess.*
12 The Mad Lover.
13 The Loyal Subject.
14 Rule a Wife, and have a Wife.*
15 The Laws of _Candy_.
16 The False One.
17 The Little French Lawyer.
18 The Tragedy of _Valentinian_.
19 Monsieur _Thomas_.*
20 The Chances.
21 _Rollo_, Duke of _Normandy_.*
22 The Wild-Goose Chase.
23 A Wife for a Month.
24 The Lovers Progress.
25 The Pilgrim.
26 The Captain.
27 The Prophetess.
28 The Queen of _Corinth_.
29 The Tragedy of _Bonduca_.
30 The Knight of the Burning Pestle.*
31 Loves Pilgrimage.
32 The Double Marriage.
33 The Maid in the Mill.
34 The Knight of _Maltha_.
35 Loves Cure; or, the Martial Maid.
36 Women pleased.
37 The Night Walker; or, Little Thief.*
38 The Womans Prize; or, the Tamer tamed.
39 The Island Princess.
40 The Noble Gentleman.
41 The Coronation.*
42 The Coxcomb.
43 Sea-Voyage.
44 Wit at several Weapons.
45 The Fair Maid of the Inn.
46 _Cupids_ Revenge.*
47 Two Noble Kinsmen.*
48 _Thierry_ and _Theodoret_.*
49 The Woman-Hater.*
50 The nice Valour; or, the Passionate Madman.
51 The Honest Man's Fortune.
_A Mask at_ Grays-Inn, _and the_ Inner Temple; _Four Plays, or Moral
Representations_.
APPENDIX.
_In the following references to the text the lines are numbered from the
top of the page, including titles, acts, stage directions, &c., but not,
of course, the headline. Where, as in the lists of Persons Represented,
there are double columns, the right-hand column is numbered after the
left._
It has not been thought necessary to record the correction of every
turned letter nor the substitution of marks of interrogation for marks
of exclamation and _vice versa_: the original compositor's stock of
each running low occasionally, he used the two signs somewhat
indiscriminately. Full-stops have been silently inserted at the ends of
speeches and each fresh speaker has been given the dignity of a fresh
line: in the double-columned folio the s
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