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trange (p. xxviii), Tho. Stanley (p. xxvii).] A CATALOGUE Of all the COMEDIES and TRAGEDIES Contained in this BOOK, in the same Order as Printed. 1 The Maids Tragedy.* 2 _Philaster_; or, Love lies a bleeding.* 3 A King or no King.* 4 The Scornful Lady.* 5 The Custom of the Country. 6 The Elder Brother.* 7 The Spanish Curate. 8 Wit without Money.* 9 The Beggars Bush. 10 The Humorous Lieutenant. 11 The Faithful Shepherdess.* 12 The Mad Lover. 13 The Loyal Subject. 14 Rule a Wife, and have a Wife.* 15 The Laws of _Candy_. 16 The False One. 17 The Little French Lawyer. 18 The Tragedy of _Valentinian_. 19 Monsieur _Thomas_.* 20 The Chances. 21 _Rollo_, Duke of _Normandy_.* 22 The Wild-Goose Chase. 23 A Wife for a Month. 24 The Lovers Progress. 25 The Pilgrim. 26 The Captain. 27 The Prophetess. 28 The Queen of _Corinth_. 29 The Tragedy of _Bonduca_. 30 The Knight of the Burning Pestle.* 31 Loves Pilgrimage. 32 The Double Marriage. 33 The Maid in the Mill. 34 The Knight of _Maltha_. 35 Loves Cure; or, the Martial Maid. 36 Women pleased. 37 The Night Walker; or, Little Thief.* 38 The Womans Prize; or, the Tamer tamed. 39 The Island Princess. 40 The Noble Gentleman. 41 The Coronation.* 42 The Coxcomb. 43 Sea-Voyage. 44 Wit at several Weapons. 45 The Fair Maid of the Inn. 46 _Cupids_ Revenge.* 47 Two Noble Kinsmen.* 48 _Thierry_ and _Theodoret_.* 49 The Woman-Hater.* 50 The nice Valour; or, the Passionate Madman. 51 The Honest Man's Fortune. _A Mask at_ Grays-Inn, _and the_ Inner Temple; _Four Plays, or Moral Representations_. APPENDIX. _In the following references to the text the lines are numbered from the top of the page, including titles, acts, stage directions, &c., but not, of course, the headline. Where, as in the lists of Persons Represented, there are double columns, the right-hand column is numbered after the left._ It has not been thought necessary to record the correction of every turned letter nor the substitution of marks of interrogation for marks of exclamation and _vice versa_: the original compositor's stock of each running low occasionally, he used the two signs somewhat indiscriminately. Full-stops have been silently inserted at the ends of speeches and each fresh speaker has been given the dignity of a fresh line: in the double-columned folio the s
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