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control to which he subjects his environment become the most cherished values of his experience. Men may first have come to speak poetry accidentally, for language arose, like other human habits, as a thing of use. But the charming and delightful expression of feelings and ideas came to be cherished in themselves, so that what was first an accident in man's life, may become a deliberate practice. When this creation of beautiful objects, or the beautiful expression of feelings or ideas is intentional, we call it art. In such intentional creation and cherishing of the beautiful man's life becomes enriched and emancipated. He learns not only to live, but to live beautifully. In such activity men, as has been recognized by social reformers from Plato to Bertrand Russell, are genuinely happy, and there alone find freedom. For in the creation of beauty man is not performing actions because he must, under the brutal compulsion of keeping alive. He is acting simply because action is delightful both in the process and in the result. Whether in business, politics, or scholarship, men are happy to the extent to which they have the sense of creation that is peculiarly the artist's. The products of art, moreover, are not desirable because they bring other goods, but because they themselves are intrinsically delightful. Men love to live in a world in which their marble has been made into statues, in which their houses are things of beauty rather than merely places in which to live. Their lives are enriched by living in a society where the thoughts and emotions which they communicate to one another and which they must somehow express can be not infrequently expressed with nobility and music. Through science Nature becomes man's tool; through art it can become a beautiful instrument to work with, and a lovely thing in and for itself. CHAPTER IV THE BASIC HUMAN ACTIVITIES FOOD, SHELTER, AND SEX. Thus far our analysis has been confined to the general types of human behavior. We have found that all human activity is conditioned by a native equipment consisting of certain more or less specific tendencies to action, and that these may be modified into acquired tendencies called "habits." We have found that through the processes of reflection, through imaginative trial and error, both of these may, within limits, be controlled. We must now proceed to an inventory of those elements of our native equipment which have an
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