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pale dawn, the restored twilight. Thereamid glimmered the pole-star. Eastward on the coast, at the far end of Pevensey Bay, the lights of Hastings began to twinkle; out at sea was visible a single gleam, appearing and disappearing, the lightship on the Sovereign Shoals. Annabel continued speaking: 'We have both missed something, something that will never again he offered us. When you asked me to be your wife, four years ago at Ullswater, I did not love you. I admired you; I liked you; it would have been very possible to me to marry you. But I had my ideal of love, and I hoped to give my husband something more than I felt for you at that time. A year after, I loved you. I suffered when you were suffering. I was envious of the love you gave to another woman, and I said to myself that the moment I hoped for had come only in vain. Since then I have changed more than I changed in those twelve months. I am not in love with you now; I can talk of these things without a flutter of the pulse. Is it not true?' She held her hand to him, baring the wrist. Egremont retained the hand in both his own. 'I can tell you, you see,' she went on, 'what I know to be the truth, that you missed the great opportunity of your life when you abandoned Thyrza. Her love would have made of you what mine never could, even though she herself had been taken from you very soon. I can tell you the mere truth, you see. Dare you still ask for me?' 'I don't ask, Annabel. I have your hand and I keep it.' 'You may. I don't think I should ever give it to any other man.' The night was thickening about them. 'Shall we go up to the Head?' Egremont asked. 'No higher.' She said it with a significant look, and he understood her. End of the Project Gutenberg EBook of Thyrza, by George Gissing *** END OF THIS PROJECT GUTENBERG EBOOK THYRZA *** ***** This file should be named 4302.txt or 4302.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/4/3/0/4302/ Produced by Charles Aldarondo. HTML version by Al Haines. Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules,
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