unteraction, almost the only, to this
English influence was the newspaper, which has always kept alive and
diffused a distinctly American spirit--not always lovely or modest, but
national. The establishment of periodicals which could afford to pay for
fiction written about our society and from the American point of view has
had a great effect on our literary emancipation. The wise men whom we
elect to make our laws--and who represent us intellectually and morally a
good deal better than we sometimes like to admit--have always gone upon
the theory, with regard to the reading for the American people, that the
chief requisite of it was cheapness, with no regard to its character so
far as it is a shaper of notions about government and social life. What
educating influence English fiction was having upon American life they
have not inquired, so long as it was furnished cheap, and its authors
were cheated out of any copyright on it.

At the North, thanks to a free press and periodicals, to a dozen reform
agitations, and to the intellectual stir generally accompanying
industries and commerce, we have been developing an immense intellectual
activity, a portion of which has found expression in fiction, in poetry,
in essays, that are instinct with American life and aspiration; so that
now for over thirty years, in the field of literature, we have had a
vigorous offset to the English intellectual domination of which I spoke.
How far this has in the past molded American thought and sentiment, in
what degree it should be held responsible for the infidelity in regard to
our "American experiment," I will not undertake to say. The South
furnishes a very interesting illustration in this connection. When the
civil war broke down the barriers of intellectual non-intercourse behind
which the South had ensconced itself, it was found to be in a colonial
condition. Its libraries were English libraries, mostly composed of old
English literature. Its literary growth stopped with the reign of George
III. Its latest news was the Spectator and the Tatler. The social order
it covered was that of monarchical England, undisturbed by the fiery
philippics of Byron or Shelley or the radicalism of a manufacturing age.
Its chivalry was an imitation of the antiquated age of lords and ladies,
and tournaments, and buckram courtesies, when men were as touchy to
fight, at the lift of an eyelid or the drop of the glove, as Brian de
Bois-Guilbert, and as ready fo