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was running a bluff. I had some evidence, but not enough to convict. You might have got away with it, Lerton, if you had had any nerve. But you happen to be a rank coward--and a guilty man!" "You--you----" George Lerton gasped. He had been holding two fingers in a pocket of his waistcoat. Now he withdrew them and, before Farland could reach him, he had swallowed something. "You'll never----" he began, and then his head fell forward to the desk. "Get the ladies outside, Murk!" Farland commanded suddenly. "And tell that secretary out there to send in a call for a physician and the police. Lerton was right--he'll never go to the electric chair!" * * * * * Ten minutes later, Sidney Prale and Murk were waiting for the elevator with Kate Gilbert and Marie, but each couple was standing at some distance from the other. "I have proved my innocence, and now I ask you to remember your promise and grant me your friendship," Prale was telling Kate Gilbert. "I shall remember," she said. "You have my address, haven't you? If you haven't, ask Murk. He knows it. You sent him to spy on me, remember." "Jim Farland did that," Prale protested. Murk was talking to the gigantic Marie at that moment. "You're mighty nice!" he was saying. "Say, I'd like to see you some more. I've got an idea my boss will be calling on your mistress, and when he does I might come up to the corner, and you might slip out and meet me, and we might take a walk in the Park. You wouldn't want to stay in the apartment and bother them, would you?" "It would be a shame!" said Marie. "Which corner, Murk?" THE END End of Project Gutenberg's The Brand of Silence, by Harrington Strong *** END OF THIS PROJECT GUTENBERG EBOOK THE BRAND OF SILENCE *** ***** This file should be named 21891.txt or 21891.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/1/8/9/21891/ Produced by Sigal Alon, Brett Fishburne, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set fo
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