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es clamber or on which immense quantities of red pepper are drying in the autumn sun. Nor would the dress of the people--everybody {61} in white (or what was once white) garments--have seemed strange in ancient Judea. There is also the same mixture of plains and peaks as Bible pictures of the Holy Land have made familiar, and at night, as October's hunters' moon glorifies all the landscape, a faint light gleaming here and there from an opening in the rock huts, and with Arcturus and the Pleiades of Job in the sky, it has seemed almost sacrilege to mar the ancient environment by such an anachronism as a modern railway locomotive. Rather, in looking out over the picturesque mountains and valleys and sniffing the cool, dry air, you feel "the call of the wild" in your blood. Across long centuries the life of your far-gone nomadic ancestors calls to you. Almost irresistibly you are moved to take a human friend and a friendly horse or pony and pitch your camp out under the great stars--larger and brighter indeed do they seem to burn here in the Orient--and feel the dew on your face as you awaken in the "morning calm" of the ancient Hermit Kingdom, whose feeble life was snuffed out, like the flame of a burnt-down candle, but a few short months ago. As I came into Seoul three nights ago I found it hardly less fascinating than the country through which I had travelled during the day. Through ancient streets, unlit by any electric glare, strangely robed, almost spirit-like white figures were gliding here and there in the moonlight, singly or in groups, and but a few minutes' ride in our rickshaws brought us to the old South Gate. Great monument of a dead era is it, relic of the days when Seoul trusted to its ten miles of massive stone walls (already a century old when Columbus set sail from Palos) to keep out the war-like Mongol and Tartar. In Japan I found a different world from that which I had known, but a world in which East and West were strangely mingled: much of the familiar with the unfamiliar. Here in Korea, on the contrary, I have found the real East, the Asia of romance, of tradition and of fable, almost untouched by {62} Western influences--dirty, squalid, unprogressive, and yet with a fascination all its own. Great bare mountains look down on the capital city, the old city-wall climbing their steep sides, and the historic Han flows through an adjacent valley. The thatched or tiled roofs of the houses are but li
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