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hat he was obliged to flee from Florence. He went first to Siena, and thence to Bologna, and at last back to Florence, where he resumed his work. It was not long, however, before he became angry again because his best clothes were given to his brother, and he walked off to Pisa, where he remained a year. He had even then become so skilful in his art that some of his works done there have never been excelled either in design or execution. When Cellini was eighteen years old Torrigiano came to Florence to engage artists to go to England to aid him in some works he was to execute. He wished to have Cellini in the number; but Torrigiano so disgusted Benvenuto by his boasting of the blow that he had given Michael Angelo, that though he had the natural youthful desire to travel, he refused to be employed by such a man as Torrigiano. We can safely assume that this predisposed Michael Angelo in Cellini's favor, and was the foundation of the friendship which he afterward showed to the younger sculptor. From his eighteenth to his fortieth year Cellini lived mostly at Rome. He was employed by Pope Clement VII., the cardinals and Roman nobles. The Pope desired to have a cope button made and a magnificent diamond set in it. This jewel had cost Julius II. thirty-six thousand ducats. Many artists sent in designs for this button, and Clement chose that by Cellini. He used the diamond as a throne, and placed a figure of the Almighty upon it; the hand was raised as if in blessing, and many angels fluttered about the folds of the drapery, while various jewels were set around the whole. When other artists saw the design they did not believe that it could be executed successfully; but Cellini made it a perfect work of art and of beauty. Cellini writes of himself as being very active in the siege of Rome, May 5th, 1527. He says that he killed the Constable de Bourbon, who led the siege, and that he wounded the Prince of Orange, who was chosen in Bourbon's place. No one else saw him perform these feats. Cellini went to the Pope, who was in the Castle of St. Angelo, and he there rendered such services to the cause of the Church that the Holy Father pardoned him for all the sins into which his temper had led him--"for all the homicides he had committed or might commit in the service of the Apostolic Church." A few years later, when Cellini was called upon to take part in the defence of his own city, he put all his property into the care o
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