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"Back to the fairies' palace, of course, underground," said Betty. "But they like the world best, they're such sociable little darlings; and when the heather-bells are coming out they all return, and each fairy takes possession of a bell and lives there. She makes it her home. And the brownies--they live under the leaves of the heather, and attend to the fairies, and dance with them at night just over the vast heather commons. Then, by a magical kind of movement, each little fairy sets her own heather-bell ringing, and you can't by any possibility imagine what the music is like. It is so sweet--oh, it is so sweet that no music one has ever heard, made by man, can compare to it! You can imagine for yourselves what it is like--millions upon millions of bells of heather, and millions upon millions of fairies, and each little bell ringing its own sweet chime, but all in the most perfect harmony. Well, that is what the fairies do." "Have you ever seen them?" asked the much-excited voice of Susie Rushworth. "I see them now," said Betty. She shut her eyes as she spoke. "Oh, do tell us what they are like?" asked a girl in the background. Betty opened her eyes wide. "I couldn't," she answered. "No one can describe a fairy. You've got to see it to know what it is like." "Tell us more, please, Betty?" asked an eager voice. "Give me a minute," said Betty. She shut her eyes. Her face was deadly white. Presently she opened her eyes again. "I see the same great, vast moor, and it is winter-time, and the moor from one end to the other is covered--yes, covered--with snow. And there's a gray house built of great blocks of stone--a very strong house, but small; and there's a kitchen in that house, and an old man with grizzled hair sits by the fire, and a dear old woman sits near him, and there are two dogs lying by the hearth. I won't tell you their names, for their names are--well, sacred. The old man and woman talk together, and presently girls come in and join them and talk to them for a little bit. Then one of the girls goes out all alone, for she wants air and freedom, and she is never afraid on the vast white moor. She walks and walks and walks. Presently she loses sight of the gray house; but she is not afraid, for fear never enters her breast. She walks so fast that her blood gets very warm and tingles within her, and she feels her spirits rising higher and higher; and she thinks that the moor covered with snow is eve
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