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doubt as to how to proceed. "If I enter the house he may shoot me before I have time to make known my good will," thought he. But in the end he thought, "If I enter and say, 'I have come, brother,' he will not hurt me." So, raising the curtain quickly, he entered. The householder at once seized the bow and drew an arrow to the head just as the intruder said, "I have come, brother." At this the bow and arrow were dropped and the young man cried out with delight, "Are you my brother? Come and sit beside me." This the newcomer very gladly did, and the householder showed his pleasure and asked, "Are you really my brother? I am very glad to see you, brother, for I always believed I had one somewhere, though I never could find him. Where have you lived? Have you known any parents? How did you grow up?" "No, I have never known any parents. I never was born and never grew up. I just found myself a man standing on the seashore. There I built me a house and made myself as comfortable as I could; but I was lonely, so I came to find you." "I also never had any parents that I can recall. My earliest recollection was of finding myself alone in this house, where I have lived ever since, killing game for food. I was alone until this friend came to stay with me. Now you, my brother, shall live here too, and we will never be parted again." * * * * * And thus, by always striving to be something higher, the downtrodden grass plant became a MAN. THE END End of Project Gutenberg's A Treasury of Eskimo Tales, by Clara Kern Bayliss *** END OF THIS PROJECT GUTENBERG EBOOK A TREASURY OF ESKIMO TALES *** ***** This file should be named 24569.txt or 24569.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/4/5/6/24569/ Produced by Richard J. Shiffer and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of t
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