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iar old aunt and when she died she left an unusual inheritance. This tale continues the struggles of all the girls for existence. THE BLYTHE GIRLS; ROSE'S GREAT PROBLEM; Or, Face to Face With a Crisis. Rose still at work in the big department store, is one day faced with the greatest problem of her life. A tale of mystery as well as exciting girlish happenings. THE BLYTHE GIRLS: HELEN'S STRANGE BOARDER; Or, The Girl From Bronx Park. Helen, out sketching, goes to the assistance of a strange girl, whose real identity is a puzzle to all the Blythe girls. Who the girl really was comes as a tremendous surprise. THE BLYTHE GIRLS: THREE ON A VACATION; Or, The Mystery at Peach Farm. The girls close their flat and go to the country for two weeks--and fall in with all sorts of curious and exciting happenings. How they came to the assistance of Joe Morris, and solved a queer mystery, is well related. * * * * * GROSSET & DUNLAP, PUBLISHERS, NEW YORK * * * * * Transcriber's Notes: Obvious punctuation errors repaired. Table of Contents, page 172 changed to page 177 to reflect text. Page 66, "althought" changed to "although". (although at first) Page 96, "nonplused" changed to "nonplussed". (was nonplussed by) Page 127, "is" changed to "it". (Is it a good) Page 134, "once" changed to "one". (At one place) Bobbsey Twins advertisement, "stands" changed to "stand". (stand among children) Flyaways and Goldilocks advertisement, "Goldilock's" changed to "Goldilocks'" twice. One instance each of Castrada and Castrado was retained. End of the Project Gutenberg EBook of Six Little Bunkers at Cowboy Jack's, by Laura Lee Hope *** END OF THIS PROJECT GUTENBERG EBOOK SIX LITTLE BUNKERS AT COWBOY *** ***** This file should be named 19816.txt or 19816.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/1/9/8/1/19816/ Produced by Marilynda Fraser-Cunliffe, J.P.W. Fraser, Emmy and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in
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