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ought himself the hero, and me the heroine!" Mr. Mixter had evidently not an idea that he was being talked about; he was too preoccupied with the ecstasy of contemplation. At this moment Caroline Spencer came out of the house, bearing a coffee-pot on a little tray. I noticed that on her way from the door to the table she gave me a single quick, vaguely appealing glance. I wondered what it signified; I felt that it signified a sort of half-frightened longing to know what, as a man of the world who had been in France, I thought of the Countess. It made me extremely uncomfortable. I could not tell her that the Countess was very possibly the runaway wife of a little hair-dresser. I tried suddenly, on the contrary, to show a high consideration for her. But I got up; I could n't stay longer. It vexed me to see Caroline Spencer standing there like a waiting-maid. "You expect to remain some time at Grimwinter?" I said to the Countess. She gave a terrible shrug. "Who knows? Perhaps for years. When one is in misery!--_Chere belle_" she added, turning to Miss Spencer, "you have forgotten the cognac!" I detained Caroline Spencer as, after looking a moment in silence at the little table, she was turning away to procure this missing delicacy. I silently gave her my hand in farewell. She looked very tired, but there was a strange hint of prospective patience in her severely mild little face. I thought she was rather glad I was going. Mr. Mixter had risen to his feet and was pouring out the Countess's coffee. As I went back past the Baptist church I reflected that poor Miss Spencer had been right in her presentiment that she should still see something of that dear old Europe. End of the Project Gutenberg EBook of Four Meetings, by Henry James *** END OF THIS PROJECT GUTENBERG EBOOK FOUR MEETINGS *** ***** This file should be named 21773.txt or 21773.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/1/7/7/21773/ Produced by David Widger Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, app
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