animum Deo subiectum. Firmam custodiam vit[ae] tu[ae], misericorditer
gubernando tenebit, incolumemque seruabit._
Letting passe this most excellent rare, strange, and secret deuise and
worke: _L_et vs returne againe to the prodigious horse, whose head was
leane and little, of a small proportion and yet fitting the body, which
seemed continually staring, fieerce and impatient, the flesh in his
muscles trembling and quaking, in such sort as that hee seemed rather
aliue than a fained imitation, with this Greeke worde in his face
+GENEA+. There were also other great peeces and fragments of diuers and
sundry lineaments among the broken and decayed ruines, which I looked
not on, still running and sliding, time giuing me onely leaue to
consider and peruse these foure rare wonders, the porch or gate, the
horse, the Colose, and the Elephant.
Oh reuerend arthists of times past, what despite hath gotten the vpper
hand of your cunning that the same is buried with you, and none left for
vs to inherite in this age,
At length being come to this ancient porch, a worke woorthie the looking
vpon maruellously composed by exquisite rules, and by art notably
beautified, with diuers and sundry sorts of cuttings, which did inflame
a desire in me to vnderstand and finde out the lineaments and practise
of the architect. I beganne after this maner, making a square from the
two collumnes on either side in a perfect sort, in the which I tooke the
due proportion of the whole porch.
A tetragon figure A. B. C. D. diuided by three lines straight, and three
ouerthwart equally distant one from an other will make sixeteene
quadrats, then adde to the figure halfe as much more in like proportion,
diuiding the adiunct you shall finde foure and twenty squares. This
figure shall serue of credycels to make the inlepturgie and briefe
demonstration that followeth.
Draw then in the first fygure A. B. C. D. two diagons, make also in the
same two lines, and straight downe, and the other ouerthwart, which make
foure quadrats mutually intersect,
Then in the voide ouer the Isopleures make foure mediane prickes,
drawing lines from one to another, and they wil make the Rhombas.
When I had drawne this figure after this manner I straightway mused with
my selfe, what reason should mooue many of our woorkemen in these dayes
eyther to thinke well of themselues, or take the art of building in
hand, not knowing what it is? Making such grosse faults in churches a
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