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th were English girls, who understood the poetry of the art and knew how to reflect not merely the time of the music, but its _nuances_ of rhythm and tone. But dancers such as these are like fairies' visits, that come but once or twice in a lifetime; and a large proportion of English girls dance very badly. In America one seldom or never finds a girl who cannot dance fairly, and most of them can claim much warmer adverbs than that. The American invention of "reversing" is admirable in its unexaggerated form, but requires both study and practice; and the reason that it was voted "bad form" in England was simply that the indolence of the gilded youth prevented him ever taking the trouble to master it. Our genial satirist _Punch_ hit the nail on the head: "Shall we--eh--reverse, Miss Lilian?" "Reverse, indeed; it's as much as you can do to keep on your legs as it is." One custom at American dances struck me as singularly stupid and un-American in its inelasticity. I know not how widespread it is, or how fashionable, but it reigned in circles which seemed to my unsophisticated eyes quite _comme il faut_. The custom is that by which a man having once asked a lady to dance becomes responsible for her until someone else offers himself as her partner. It probably arose from the chivalrous desire not to leave any girl partnerless, but in practice it works out quite the other way. When a man realises that he _may_ have to retain the same partner for several dances, or even for the greater part of the evening, he will, unless he is a Bayard absolutely _sans peur et sans reproche_, naturally think twice of engaging a lady from whom his release is problematical. Hence the tendency is to increase the triumphs of the belle, and decrease the chances of the less popular maiden. It is also extremely uncomfortable for a girl to feel that a man has (to use the ugly slang of the occasion) "got stuck" with her; and it takes more adroitness and self-possession than any young girl can be expected to possess to extricate herself neatly from the awkward position. Another funny custom at subscription balls of a very respectable character is that many of the matrons wear their bonnets throughout the evening. But this, perhaps, is not stranger than the fact that ladies wear hats in the theatre, while the men who accompany them are in evening dress--a curious habit which to the uninitiated observer would suggest that the nymphs belonged to a less
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