REV. J. STOGDON. Large Nativity with three Saints and three Donors
(?). E. _Tondo_: Madonna and Angels.
London.
698. Death of Procris.
895. Portrait of Man in Armour.
HERTFORD HOUSE. Triumph of Venus (?).
MR. ROBERT BENSON. Hylas and the Nymphs. E. Portrait of Clarissa
Orsini (?).
EARL OF PLYMOUTH. Head of Young Man.
MR. CHARLES RICKETTS. Combat of Centaurs and Lapithae (Cf. New
York).
MR. A. E. STREET. _Tondo_: Madonna adoring Child.
Lyons.
M. EDOUARD AYNARD. _Tondo_: Madonna with Lamb.
Milan.
BORROMEO. Madonna. L.
PRINCE TRIVULZIO. Madonna and Angels. L.
New Haven (U. S. A.).
JARVES COLLECTION, 68. Lady holding Rabbit.
Newlands Manor (Hampshire).
COL. CORNWALLIS WEST. Visitation.
New York.
METROPOLITAN MUSEUM. The Hunt. Return from the Hunt (Cf. Mr.
Ricketts, London).
Oxford.
CHRIST CHURCH LIBRARY, 2. _Tondo_: _Pieta_. L.
Paris.
1274. The Young Baptist.
1416. Coronation of Virgin. L.
1662. Madonna.
Philadelphia.
MR. JOHN G. JOHNSON. Bust of Physician. Portrait of Man. 1512.
Madonna (fragment).
Rome.
BORGHESE. 329. Judgment of Solomon.
335. Holy Family L. (?).
343. _Tondo_: Madonna and Angels adoring Child.
CORSINI. Magdalen. _Pieta_.
VATICAN, SIXTINE CHAPEL. Fresco: Destruction of Pharaoh. 1482.
Scotland. (Glasgow, Cf. Glasgow).
CAWDER HOUSE (BISHOPBRIGGS, NEAR GLASGOW), CAPT. ARCHIBALD
STIRLING. Madonna and infant John.
GOSFORD HOUSE, EARL OF WEMYSS. Bust of Man.
NEWBATTLE ABBEY (DALKEITH), MARQUESS OF LOTHIAN. Mythological
Scene.
Siena.
MONASTERO DEL SANTUCCIO, ALTAR L. Nativity.
Stockholm.
ROYAL GALLERY. Madonna.
Strasburg.
UNIVERSITY GALLERY, 216A. Madonna.
216B. Prometheus Myth (Cf. Von Kaufmann Collection, Berlin).
Vienna.
HARRACH COLLECTION, 136. Holy Family and Angels. L.
PRINCE LIECHTENSTEIN. Madonna and infant John. L. _Tondo_:
Landscape with Water, etc.
Worksop (Nottinghamshire).
CLUMBER PARK, DUKE OF NEWCASTLE. Altarpiece with _Predelle_:
Madonna with St. Peter and Baptist and kneeling Ecclesiastic.

PIER FRANCESCO FIORENTINO.

Known to have been active during the last three decades of the fifteenth
century. Pupil possibly of Fra Angelico or Benozzo Gozzoli;
influenced by Neri di Bicci; eclectic imitator of Alesso
Baldovinetti, Fra Filippo, and Pesellino. Some of