glory in His bosom that transfigures you and me;
As He died to make men holy, let us die to make men free.
While God is marching on."
Others may hesitate, others may procrastinate, others may plead
for further diplomatic negotiation, which means delay; but for
me, I am ready to act now, and for my action I am ready to
answer to my conscience, my country, and my God.
--JAMES MELLEN THURSTON.
CHAPTER VI
PAUSE AND POWER
The true business of the literary artist is to plait or weave
his meaning, involving it around itself; so that each sentence,
by successive phrases, shall first come into a kind of knot, and
then, after a moment of suspended meaning, solve and clear
itself.
--GEORGE SAINTSBURY, on _English Prose Style_, in _Miscellaneous
Essays_.
... pause ... has a distinctive value, expressed in silence; in
other words, while the voice is waiting, the music of the
movement is going on ... To manage it, with its delicacies and
compensations, requires that same fineness of ear on which we
must depend for all faultless prose rhythm. When there is no
compensation, when the pause is inadvertent ... there is a sense
of jolting and lack, as if some pin or fastening had fallen out.
--JOHN FRANKLIN GENUNG, _The Working Principles of Rhetoric_.
Pause, in public speech, is not mere silence--it is silence made
designedly eloquent.
When a man says: "I-uh-it is with profound-ah-pleasure that-er-I have
been permitted to speak to you tonight and-uh-uh-I should say-er"--that
is not pausing; that is stumbling. It is conceivable that a speaker may
be effective in spite of stumbling--but never because of it.
On the other hand, one of the most important means of developing power
in public speaking is to pause either before or after, or both before
and after, an important word or phrase. No one who would be a forceful
speaker can afford to neglect this principle--one of the most
significant that has ever been inferred from listening to great orators.
Study this potential device until you have absorbed and assimilated it.
It would seem that this principle of rhetorical pause ought to be easily
grasped and applied, but a long experience in training both college men
and maturer speakers has demonstrated that the device is no more readily
understood by the average man when it is first explained to him than if
it were
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