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glory in His bosom that transfigures you and me; As He died to make men holy, let us die to make men free. While God is marching on." Others may hesitate, others may procrastinate, others may plead for further diplomatic negotiation, which means delay; but for me, I am ready to act now, and for my action I am ready to answer to my conscience, my country, and my God. --JAMES MELLEN THURSTON. CHAPTER VI PAUSE AND POWER The true business of the literary artist is to plait or weave his meaning, involving it around itself; so that each sentence, by successive phrases, shall first come into a kind of knot, and then, after a moment of suspended meaning, solve and clear itself. --GEORGE SAINTSBURY, on _English Prose Style_, in _Miscellaneous Essays_. ... pause ... has a distinctive value, expressed in silence; in other words, while the voice is waiting, the music of the movement is going on ... To manage it, with its delicacies and compensations, requires that same fineness of ear on which we must depend for all faultless prose rhythm. When there is no compensation, when the pause is inadvertent ... there is a sense of jolting and lack, as if some pin or fastening had fallen out. --JOHN FRANKLIN GENUNG, _The Working Principles of Rhetoric_. Pause, in public speech, is not mere silence--it is silence made designedly eloquent. When a man says: "I-uh-it is with profound-ah-pleasure that-er-I have been permitted to speak to you tonight and-uh-uh-I should say-er"--that is not pausing; that is stumbling. It is conceivable that a speaker may be effective in spite of stumbling--but never because of it. On the other hand, one of the most important means of developing power in public speaking is to pause either before or after, or both before and after, an important word or phrase. No one who would be a forceful speaker can afford to neglect this principle--one of the most significant that has ever been inferred from listening to great orators. Study this potential device until you have absorbed and assimilated it. It would seem that this principle of rhetorical pause ought to be easily grasped and applied, but a long experience in training both college men and maturer speakers has demonstrated that the device is no more readily understood by the average man when it is first explained to him than if it were
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